This IS the Avid L2: Re: [Avid-L2] AAF Export and LUTs Help

Monday, September 15, 2014

Re: [Avid-L2] AAF Export and LUTs Help

I was talking about how you got your material inside Media Composer. In my experience AAF works better when the transcode is done in Resolve and EDL for AMA Link/Transcode in Media Composer.

Enviado desde mi teléfono.
El sep 15, 2014 8:15 PM, "David Dodson davidadodson@sbcglobal.net [Avid-L2]" <Avid-L2@yahoogroups.com> escribió:
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> I offered them an EDL! They didn't want it!
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> In any case, it wasn't AMA material. It was transcoded directly to DNxHD 115 from the original ProRes 4444 LOGc files.
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> DD
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> On Sep 15, 2014, at 11:10 AM, Agustin Goya agustingoya@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
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>> Try sending them an EDL. In my experience, AAF its harder to conform if media was brought using AMA.
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>> Enviado desde mi teléfono.
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>> El sep 15, 2014 8:05 PM, "David Dodson davidadodson@sbcglobal.net [Avid-L2]" <Avid-L2@yahoogroups.com> escribió:
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>>> As I suspected. I really don't think it's on my side. The conform people are using DaVinci/Resolve, and I think that's where the issue is. Last time they used Nucoda and everything went great.
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>>> I can't thank you enough for conducting the test, Mark. That really helps focus our efforts.
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>>> All the best,
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>>> DD
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>>> On Sep 15, 2014, at 11:01 AM, Mark Spano cutandcover@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
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>>>> Hi David,
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>>>> I just tried exporting an AAF from a 1080/23.976p project with 2K Alexa Log footage. In my initial sequence, the footage has a Log to Linear LUT and is FrameFlex to fit. The resulting AAF has the clip names intact, and if I import it into MC, also brings in information about the source settings as well.
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>>>> On Mon, Sep 15, 2014 at 1:04 PM, David Dodson davidadodson@sbcglobal.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
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>>>>> I'm turning over AAFs to the conform people and they're telling me they can't see the source file names, and that it's probably because I'm using a Source Setting LUT (in this case, an Arri LUT for Alexa LOGc). I have a hard time buying this.
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>>>>> Can anyone think of why the AAF is not seeing the source clip file names that does NOT involve hunting down shots one at a time and removing LUTs by hand?
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>>>>> I'm on MC 7.0.4. Mac Pro. Cutting with transcoded DNxHD 115 from Alexa ProRes 4444 LOGc.
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>>>>> Thanks,
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>>>>> DD
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>>>>>
>>>>> David Dodson
>>>>> davidadodson@sbcglobal.net
>>>>>
>>>>>
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>>>
>>> David Dodson
>>> davidadodson@sbcglobal.net
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> David Dodson
> davidadodson@sbcglobal.net
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