FYI - synchronizing two decks (Sony/Panasonic) is as easy as one RS-422 cable patched between them. Back in the day, I needed to load split tracks for many episodes of an HBO show in order to prep for profanity editing for syndication. These were sent to me on DigiBeta in sets of two (2 tapes per episode x 4 tracks = 8 audio tracks for standard splits). To save time loading into workstation, here's a trick I figured out:
Connect the two decks via RS-422 to their controller/slave inputOn Wed, Jan 1, 2014 at 7:29 PM, John Heiser <jpheiser@gmail.com> wrote:
On Wed, Jan 1, 2014 at 6:16 PM, johnrobmoore <bigfish@pacbell.net> wrote:
Could it be that it is faster or more bullet proof to do the simul roll on ingest?In most trucks I've worked in, it would take a lot of effort to sync two VTRs for locked simultaneous playbackI would assume, but will ask here, when the EVS ingests a tape does it capture the time code on the tape with the file so all my graphics built on even NonDrop minutes and 20 second intervals could be assessed and utilized with the ingested file?Any external time code can be fed into the EVS, so I imagine a tape deck's TC would work just as well.I guess a good reason to sync-roll two decks for ingest is if there's quite a bit of material to capture - if everything has a matte and fill, then not sync-rolling would take twice as long to capture. If there's a quick turnaround from the moment the tape arrives at the truck to the moment it's needed for the show, then our director may have a point. After all, they're not all idiots - only some of them. ;-)
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