This IS the Avid L2: [Avid-L2] Re: MC7 Symphony Color correction Q

Friday, July 12, 2013

[Avid-L2] Re: MC7 Symphony Color correction Q

Well, fortunately for us DS users, DPX works great. The XAVC stuff will become huge (pun intended) because of 4K TV deliverables and the inevitable...we need a 4K video for Vimeo of your 90 minute film. It has to be under 5gb though.....I know h.265 will take care of this. Its just a bit amusing.

KEN

--- In Avid-L2@yahoogroups.com, "Rupert Watson" <rupert@...> wrote:
>
> You need to distinguish between UltraHD (3840x2160) and (for example)
> full aperture 4K (4096x 3112) the former will have codecs like xavc and
> j2k derivatives and have a 600Mb/s (sih) data rate. The latter is likely
> to still be in dpx form and have a 1.3GB/s (ish) data rate.
>
>
>
> Rupert Watson
>
> +44 7787 554 801
>
> www.root6.com
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>
> From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf
> Of ksirul
> Sent: 12 July 2013 19:07
> To: Avid-L2@yahoogroups.com
> Subject: [Avid-L2] Re: MC7 Symphony Color correction Q
>
>
>
>
>
> The new XAVC codec from Sony will change it up a bit.
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com> , Tony
> Quinsee-Jover <tony@> wrote:
> >
> > On 12 Jul 2013, at 15:29, "ksirul" <kenavid2@> wrote:
> >
> > > I'm not sure how DS handles Epic files (I believe you can link to
> them....Tony??)
> >
> > I believe so, but I've not had any to deal with yet - folk over here
> seem to much prefer the F55 to anything Red.
> >
> > Of course, once it's in DS then you can output DPX if required (what
> else, for 4k?) when you're done.
> >
> > T.
> >
>
>
>
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