You should just ask them how they want it delivered. The only real standard is the one that each project sets for itself.
Jay
On Jun 22, 2013, at 7:00 AM, ripvanmarlowe2000 wrote:
> I was recently roped in to finishing an end roller for a film that will be shown theatrically, something that I have never had to do before.
>
> I am delivering a 10bit Log DPX sequence out of After Effects CS6. I don't think I have to do anything in terms of formatting Linux hard drives or anything like that, I think I'm just delivering the DPX sequence to someone else who will stitch it together with the rest of the film and take care of all of that.
>
> Does anyone know if there is any special etiquette for delivering a DPX sequence? A certain naming convention or folder structure? Can I just give them a folder called "sequencename_DPX_export" containing the files and a firm handshake?
>
> I'm guessing yes but just didn't want to make some horrible post-production faux pas.
>
> Even doing this fairly straightforward task I came across so many questions to do with delivering to the correct standard, I don't know how people keep it all in their heads! Anyone ever seen 2560x1350 as a delivery size? I thought 2K was supposed to be either 2048x858 for 2.39:1 or 1998x1080 for 1.85:1?
>
> Cheers,
>
> Andi
>
>
>
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