Maybe Avid is using all their resources to make cosmetic changes because
they want to annoy Shirley. --J.B.
Terence Curren wrote:
> Let's see, with Symphony CC you stay in the timeline instead fo another interface? You can compare shots before and or from anywhere in the timeline? You can apply corrections via source side linking making for enormous speed gains?
>
> Filmlight is far more powerful on a shot at a time basis, but it isn't a decent workflow tool. Symphony CC is the best "workflow" color corrector available, but the toolset has stagnated over the years. Why can't we have both? Oh yeah, Avid doesn't care. :-(
>
>
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