I had a project recently where there was a lot of Canon footage to be transcoded. Several dozen cards for a rush-rush job, I wanted to transcode in the Avid to (native) DNx. But speedy turnaround was problem. If there was a way to set up a batch queue of bins to run overnight I would not even entertain transcoding to ProRes. But while I only have one Avid, I have many Macs would allow me to distribute transcoding.
Depending on the version of Media Composer, are there viable ProRes alternative workflows to help with this transcoding bottleneck? I want to learn more and hear people out before I suggest possible pros & cons.
Thanks in advance for any help,
Paul
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