Brand of NLEs, specifically FCP and Avid. This is at least true for 5K.
It seems your ISIS is 7K. Lawson knows better in that regards.
As for compressions - not AFAIK. We had shows with XDCAM HD, XDCAM EX,
15:1s, 10:1, DNX 145, DNX 220 and others on the same server while
maintaining the expected performance.
On 2/9/2013 12:39 AM, Steve Hullfish wrote:
> That wasn't really my question. But, to clarify, you are saying that all of the systems should be what? MCs? Same versions? Same brand of NLEs?
>
> All I asked about was that there are several codecs that you CAN import/transcode/capture to. I was told that you shouldn't mix the codecs that the Avid is capable of transcoding to on the same workspace. This is an ISIS with ALL MC6.5s.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
> author: "The Art and Technique of Digital Color Correction"
>
>
> On Feb 8, 2013, at 6:22 PM, Dom Q. Silverio domqsilverio@gmail.com> wrote:
>
>> You don't want to mix NLE platform. There is a significant bandwidth penalty for each chassis involved.
>>
>> DQS
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
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