Re: [Avid-L2] Once More Into the (Frame Rate) Breach

I'll think I'll go with your suggestion, John. Be a helluva lot easier than all the other options :-)

DD


On Dec 6, 2012, at 11:04 PM, johnrobmoore wrote:

> You got me thinking. Slowing down 25 to 24 will cause a slow down of 24/25 right? What if you have the actors act 25/24 times faster? Then they'd be at the right speed for the theatrical and just seem a little twitchy for TV. Depending on casting maybe they could even speak with the proper pitch offset. ;-) Or then again maybe I should just stick to hot dogs.
>
> --- In Avid-L2@yahoogroups.com, "Tony Quinsee-Jover" <tony@...> wrote:
> >
> > " Option A is the sped up PAL approach. This is the "run 24 at 25" "
> >
> > Or, the slowed down PAL approach. This is the "run 25 at 24" for the
> > film-out.
> >
> > It really makes little difference either way. I've done both. SD
> > monitoring is easier at 25Fps, so my preference is always 25 for when the
> > client says "Can I see it on a TV?".
> >
> > Don't go anywhere near 23.976.
> >
> > Tony
> >
>
>

David Dodson
davidadodson@sbcglobal.net





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