Design a correction that does the basic LUT fix. Then apply it as a program side correction. That way your entire timeline has the base correction applied, and you can continue to use the source side corrections as you normally would.
--- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@...> wrote:
>
> We have a project coming up that was shot in C Log with the C300. What are the pros/cons of grading this footage in Symphony? If they've transcoded to DNxHD (or ProRes, not sure if they are cutting in FCP or Avid yet), are we losing quality if we don't link back to the original C Log files?
>
> Thanks,
>
> KEN
>
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