Something I would add to the Creative Cow piece. Once you are more use to Resolve, if you have multiple LUTs from set, a different one for each scene let's say, instead of setting the LUT in the Project Settings, so that it's applied to all shots, you can set a LUT for each shot individually in the Conform section of Resolve.
Jay
On Oct 10, 2012, at 2:03 PM, David Dodson wrote:
>
> Great help, everyone. Thank you so much!
>
> D
>
>
> On Oct 10, 2012, at 11:48 AM, Jay Mahavier wrote:
>
>> Resolve lite. Get the production LUTs from the camera department or digital tech to use in Resolve. If they are using custom looks on set and you don't match the material up with the right LUT or just use the generic Alexa LUT in Resolve it can look bad. I would suggest rendering out to QTs in the DNxHD codec. But you can go straight to Avid MXF. I like the QT route and then import into Media Composer.
>>
>> Jay
>>
>> On Oct 10, 2012, at 12:50 PM, David Dodson wrote:
>>
>>>
>>> About to start a project being shot on the Alexa in ProRes 444 Log C profile. Show will be cut on Media Composers, probably v6.5. But what's the best way to transcode the dailies to DNxHD 115 and get them in the Avid (sound will be sync'd once in MC)?
>>>
>>> This is for a feature and companion 8-episode TV series.
>>>
>>> Thanks,
>>>
>>> David
>>>
>>>
>>>
>>> David Dodson
>>> davidadodson@sbcglobal.net
>>>
>>>
>>>
>>>
>>>
>>> ------------------------------------
>>>
>>> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>> Yahoo! Groups Links
>>>
>>>
>>>
>>
>>
>
> David Dodson
> davidadodson@sbcglobal.net
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>
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