Fluidmotion I think is done at the pixel level.
Dom Q. Silverio
On Tue, Sep 11, 2012 at 1:23 PM, Terence Curren <tcurren@aol.com> wrote:
> In a progressive project, you are going to render out a progressive frame.
> In other words, field one and field two should be from the same point in
> time.
>
> What happens when you slow a shot down, or speed it up and it doesn't work
> out to full even frames? Sooner or later, you end up with a field from one
> frame and a field from another, or you have jerky motion. The duplicate
> fields, both fields etc are important in those instances.
>
> Fluidmotion (I believe) looks at both fields in the frame as one in
> Progressive projects. In interlaced projects it looks at each field
> individually.
>
> --- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
> >
> >
> >
> > I looked for some written discussion on this topic, but didn't find any
> right away, so...
> > I'm checking my logic with the brains of the L2 regarding rendering
> motion effects & Timewarps in a Progressive project.
> >
> > 1- True or False:
> > In a progressive project, the selections for Both, Duplicated,
> Interpolated,
> > VTR-Style, Blended Interp, and Blended VTR are there *only* in the event
> > that you have brought in some interlaced footage.
> >
> > 2- True or False:
> > The field-based rendering methods listed above have no affect on
> progressive footage,
> > so you could select any of them and get the same result.
> >
> > 3- True or False:
> > Fluid Motion works the same on progressive footage as it does on
> interlaced (creating motion vectors and doing pixel prediction).
> >
> > TIA!
> >
> > Cheers,
> >
> > Benjamin
> > ---
> > Benjamin Hershleder
> > http://ContactBen.com
> > http://Hershleder.com
> >
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> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
>
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