You are absolutely right Oliver except that in my world of long form drama most people in my surroundings are happily back to Avid.
Let's not loose track of how the fcp revolution became possible in 2000. There was major resentment in the Avid community about the price ($85k+)and a $999 alternative was worth the try. Then Walter came down with his blessing and the press did the rest.
It's just business.
M
On 22/08/2012, at 12:36 PM, oliverpetersvidy wrote:
> You are making a huge assumption. I don't see that at all. In fact I don't see much migration to either Avid or Adobe. A lot of testing the waters and some sales by people who took advantage of the cross-grades, but then haven't actually used those purchases. Most of the users are still sitting on their hands.
>
> FCP X is an extremely capable product that is getting significantly better with every update. There are producers and broadcasters talking about 1080p/60 and bigger-than-HD transitions today. You can't do that with MC or Symphony, but you can with Edius, FCP X, Premiere Pro, Quantel, etc. Check back in a year and see what you think then.
>
> - Oliver
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