Thanks John. That is helpful and I appreciate your feedback.
Although, if you have to re-add the tape name to the ama clips when you remount the ama volume, it seems like one might as well delay adding them to the transcoded clips until that time. And you could limit the process to the clips that failed to relink. No?
-Mike
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> When you remount the ama volume you must re add the tape name. Most people find that giving the clips a tape name that matches the bin name is the quickest way to do this and makes it easy to duplicate the tape naming. Whether it's necessary I don't know but I'm of the mind set that anything you can do to add stability to the relinking process is a good thing. Some have intimated that there are negative side effects to adding the tape name. I know there are when dealing with standard Avid imports but in my limited use of ama the reel names have helped the process even with Red footage. YMMV
>
> --- In Avid-L2@yahoogroups.com, "michaeljshen76" <mikejshen@> wrote:
> >
> > Yes, interestingly, despite many people's advice, I've noticed that when you remount an AMA volume, the AMA clips do not retain the tape name I gave them through "Modify Source." That, in addition to the fact that I've relinked (admittedly) simple sequences without setting a tape name makes me think (hope) the step is unnecessary.
> >
> > On the other hand, Dom, I did notice that "Source File" and "Source Path" do sometimes mysteriously disappear from the AMA clips' metadata as well — just as you pointed out.
> >
> >
> > --- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" <domqsilverio@> wrote:
> > >
> > > In my experience modifying tape name break the AMA link. You will be unable to relink back to your original AMA media. Best is to create a custom column to add "tape name".
> > >
> > > DQS
> > >
> > >
> > > On Aug 24, 2012, at 11:22 AM, "Pat Horridge" <pat@> wrote:
> > >
> > > >
> > > >
> > > > With robust tapeless formats like P2 and XDCAM you don't need to add any
> > > > additional info to help MC. The clips have UMIDs in them 64 byte id numbers
> > > > unique to every clip. MC can track and re-link based on those.
> > > >
> > > > For DSLR clips like 5D/ 7D and otehrs thsi isn't the case and re-linking is
> > > > more fragile. QTChanger is great for these as it allows you to add timecode
> > > > and reel ID as well as otehr changes to the clips before you AMA into
> > > > Avid.
> > > >
> > > > My dadvice is to always do a final video mixdown as a guide before you
> > > > re-link and allow some time for manual clip cutting in if you get the odd
> > > > re-link failure.
> > > >
> > > > Pat Horridge Technical Director VET
> > > >
> > > > Production Editing Digital Media Design DVD
> > > >
> > > > T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@ |
> > > >
> > > > W www.vet.co.uk <http://www.vet.co.uk/> | Lux Building 2-4 Hoxton
> > > >
> > > >
> > > >
> > > >
> > > >
> > > > Square London N1 6US
> > > >
> > > >
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
> > > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > > > Yahoo! Groups Links
> > > >
> > > >
> > > >
> > >
> >
>
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