Well... (you might want to put your protective goggles on first) - to me:
the material mix is distracting - either fish-eye/soft edges or standard planar
the editing is distracting and not on the music, i.e. not supporting the music, sometimes too quick off the instruments, too less wides on the tuttis, way too much and too long on the conductor - disorientating.
cameras are too static (only one little creep-in zoom, a bit of panning on the conductor/flute to brass section)
cameras are partially badly placed (especially scoreboard one)
I like the artistically approach with the extreme wide angles but the camera have to get placed better in the orchestra, also some more wide shots would be helpful. I think none of the clients I'm working with would buy it. However, like I said, I like the approach and following this more consequently, refine the edit and it would be something that works for one project. I strongly support the idea and effort you put into this and encourage you to keep this up!
</goggles>
Sincerely
Jo
On Jul 12, 2012, at 9:17 PM, bouke wrote:
> http://www.youtube.com/watch?v=X0XdVgEpLwc
>
> (before you flame too hard, this is a low (very low) budget/no goggles
> protection job.)
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
> 6512 AS NIJMEGEN
> The Netherlands
> +31 24 3553311
> www.videotoolshed.com
>
>
[Non-text portions of this message have been removed]
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