Re: [Avid-L2] let the flaming begin

I think Bouke should make the media available to all of us so we can put
our own edits up!
Barnaby
323.401.8642


On Fri, Jul 13, 2012 at 9:09 AM, Jon Wilkman <jon@wilkman.com> wrote:

> **
>
>
> Nicely put, Doug.
> Jon
>
>
> On 7/13/2012 5:29 AM, Doug Rossini wrote:
> >
> > The Ravel reminds me of a walk through the rainforest in Costa Rica.
> > To find howler monkeys in the trees, you listen first and once you
> > hear them, you can look to see them. In our highly visual world we
> > underestimate the survival importance of hearing as a first line of
> > defense. I like editing that leads with the sound. I think the
> > Beethoven feels slow not because there aren't enough cuts, but because
> > the cuts often happen before the phrase begins, creating lots of
> > waiting moments which feel like dead air.
> >
> > Doug Rossini
> > usqProductions
> > 380 Lexington Avenue, Suite 1920
> > New York, NY 10168
> >
> > doug@usqProductions
> > 914-473-0245
> > www.usqProductions.com
> > Filmmaking for the digital era.
> >
> > On Jul 12, 2012, at 7:34 PM, Jon Wilkman wrote:
> >
> > > As a documentary producer/director and occasional editor, and lover of
> > > all kinds of music, I couldn't resist stepping in on this discussion.
> > > Talking about doubling or tripling the edits with the Beethoven fringes
> > > on the MTV soaked. I liked with Bouke did, and like the Ravel even
> > > more, since obviously the editor can read a orchestral score. To me,
> > > cutting a musical performance is more than a process of creating visual
> > > energy, it is the opportunity to watch human beings doing some of the
> > > most dexterous things we do-- playing musical instruments. In this
> > > instance, editing should enhance this process, not assert itself with
> > > necessary rhythms of its own. This goes for dance as well.
> > > Just my "one ana two" cents.
> > > Jon
> > >
> > >
> > > On 7/12/2012 1:03 PM, bouke wrote:
> > >>
> > >> From: "Oliver Peters" <oliverpeters@oliverpeters.com
> > <mailto:oliverpeters%40oliverpeters.com>
> > >> <mailto:oliverpeters%40oliverpeters.com>>
> > >>
> > >> Subject: [Avid-L2] Re: let the flaming begin
> > >>
> > >> Cool. Although I would have doubled or tripled the cutting pace in
> > >> some of
> > >> the sections.
> > >>
> > >> - Oliver
> > >>
> > >> Conflict of priorities. I agree, but:
> > >> The main cam (real cam, on the director) was operated by a very nice
> > >> DP that
> > >> i've spent some nights with,
> > >> and hope to do so again.
> > >> She know a shitload more about classical music than i do, and she
> > >> ordered to
> > >> keep the pace down.
> > >> Besides, the client loves the director (probably he alone earns
> > more than
> > >> the rest of the orchestra together...)
> > >>
> > >> Here is a part she cut: (Ravel, hard for me...)
> > >> http://www.youtube.com/watch?v=xAC797S77hA
> > >>
> > >> Bouke
> > >>
> > >> VideoToolShed
> > >> van Oldenbarneveltstraat 33
> > >> 6512 AS NIJMEGEN
> > >> The Netherlands
> > >> +31 24 3553311
> > >> www.videotoolshed.com
> > >>
> > >>
> > >
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
>


[Non-text portions of this message have been removed]



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