Re: [Avid-L2] finishing for film out

Jay, thanks for the feedback.

Without sounding like I'm questioning the answer or you - I want to understand 'why'… (I can be a pain that way).
If the answer is 'because that's the way it's done' I can accept that...

But any web references I can look at to help me explain to the production company why they indeed DON'T want to shoot at 24 - would be SUPER helpful.

Thanks,
Jeff

------------------
Jeff Hedberg
Union Editorial
575 Broadway
6th floor
New York, NY 10012

212-863-3030

On Apr 30, 2012, at 5:35 PM, Jay Mahavier wrote:

> shoot at 23.98. post at 23.98. mix at 23.98. The very last step is doing a pull up if you are going to print film.
>
> Jay
>
> On Apr 30, 2012, at 3:58 PM, Jeff Hedberg wrote:
>
>> I've spent so long finishing for broadcast that I don't know the answer to this one…
>>
>> Movie filming with Red camera.
>> Rough cutting in Avid.
>> Finishing for film output, as well as eventual DVD.
>>
>> Should production company shoot at 24F (not 23.98) - we run Avid at 24 1080 project (not 23.98) - and prepare EDLs as always?
>> (like I said, I'm rusty for outputting to film at end)
>> What do you do about people wanting DVDs of work in progress? Does the 24fps not kill DVD making like I expect it to?
>>
>>
>> Anything I'm missing?
>> (perhaps any sound gotchas I should know about?)
>>
>> Thanks,
>> Jeff
>>
>>
>> ------------------
>> Jeff Hedberg
>> Union Editorial
>> 575 Broadway
>> 6th floor
>> New York, NY 10012
>>
>>
>>
>> ------------------------------------
>>
>> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
>> Yahoo! Groups Links
>>
>>
>>
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>



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