autosync, they'll be right.
Select all the audio clips in the bin, then right-click and choose Modify...
In the drop down menu, choose Increment Timecode
In the field, choose Start TC, and enter 2
It'll give you the usual spiel about how dangerous it is to modify source
clip timecode, but it'll then move the start TC 2 frames ahead for all the
clips in one shot. Resync and you're good to go...
On Fri, Apr 20, 2012 at 5:35 PM, Steve Hullfish <steve4lists@veralith.com>wrote:
> **
>
>
> I have a question:
>
> I shot something multicam with two Sony F3s and a high end mixer/recorder
> (I don't remember what). We jam synced the timecode at the beginning of the
> shoot and both cameras appeared to be on the same timecode as the audio
> recorder, but now that I'm using Autosync using the timecode to match the
> audio to the cameras, I notice that the audio is probably LEADING video by
> two frames. Is there a way to Autosync but off-set the audio by a specific
> number of frames? Obviously I can just slip everything by those two frames
> for every shot once I get it done, but I'd rather have the audio actually
> in sync in the clips. I could also do it by IN point on every clip, but
> then I have a lot of clips to do and would rather have a fairly automated
> system.
>
> The sound guy ran audio continuously through 2+ hours of shooting. The two
> F3s started and stopped a LOT.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
> author: "The Art and Technique of Digital Color Correction" (2nd Edition
> now available)
>
>
[Non-text portions of this message have been removed]
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