Dude, it's RED and everyone says RED is cool, so it must be. Dude, we have to use it... uh uh uh uh
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> I will find out later today as to why? I can only guess cost of renting RED cameras vs a full production truck. In looking at the web site I don't see anything resembling a conversion package to turn them into a studio camera setup but perhaps I'm missing something.
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > One question... why?!?!?!?! (And don't try to run the 4K , 5K BS past me)
> >
> > --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
> > >
> > > We've been doing a series of specials with 6 or so cameras and a production truck. There is a full production crew with a technical director, director etc... There is the thought of switching over to Red cameras in future productions. While I know of Red Camera workflows I have not had much experience with them. My feeling is that it would no longer be a production truck setup using Red Cameras. Is it possible to use Red cameras as replacements for typical remote truck cameras and there could still be a technical director switching etc... Is there any kind of accessory pack to convert Red Camera's to work in a studio configuration with remote CCU control for a video shader to balance the cameras. Most importantly is how likely is it that 6 independent Red Cameras will match in look etc... I fear the lack of the common camera control point that a typical remote truck has will create a problem later that will require a lot more color
> > > correction work. I wouldn't think this is undoable but the typical remote truck project has required less than 2 hours of color correction because it was balanced in the field but now I don't know how well these cameras will match. We are running ver. 4.0.5 SNDX mac and our offline bays are mac mc 3.0.x We do have one assist station that is set up with 5.5 to ingest things. The performances are over an hour continuous so what would be the likely way to record them. What are the internal card capacities or external alternatives for a continuous run of up to 90 minutes. I'm headed to the Red sight but wanted to hear from any real world experience.
> > >
> > > John Moore
> > >
> > > Barking Trout Productions
> > >
> > > Studio City, CA
> > >
> > > bigfish@
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
>
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