Treat it like a multicam 35MM FILM shoot. The one essential ingredient is that the DP or DIT set all cameras EXACTLY the same, including the same filtering. Do not approach it as "oh it's raw, so we can fix everything in post" or your grading time with expand exponentially.
- Oliver
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Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
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