Resolve is also a stopgap measure. The reality is, keeping in one application is the superior workflow. And Symphony has the superior application method. So add the right tools and you have an industry leader again.
For example, yesterday I was working on a reality show with two cameras. I would correct the "A" camera and the "B" camera once in "Source Clip Name Mode" and the entire scene was finished! Then there were broll shots in between scenes that required adding the "Spot color effect" to isolate areas slowing me WAY down. But I still got 15 minutes of program corrected in less than an hour.
And when I get to the end of an act, the previous acts tease (Which I skipped) is also corrected. And when I get to the end of the show, the opening tease (which I skip) is all corrected.
Smoke, daVinci, Color etc can't touch this!
--- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@...> wrote:
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> > To me Baselight represents a temporary solution, not a long term one.
>
>
> I completely understand your point -- especially as the Baselight plugin does not offer the power or utility of a fully-integrated solution.
>
> Curious, from recent posts it sounds like you might be exploring the possibility of loading Resolve on one of your Symphony boxes. Do you view that as a stop-gap measure as well -- or do you see that as a possible long-term solution for your workflow?
>
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