Hmm.
Thinking of that, i've made interlace detection as well. (for my Avatat
project ...
But that was only to detect the start of the cadance, as i was dealing with
raw footage.
Could make something that does this, but it's probably cheaper to use my
Recut, have all shots seperated and set the cadance by hand. Not that much
work...
Bouke
(who once used a macro to get 24 @ 25, with an added field every 12 frames,
that was fun in Avid, having the 1 frame dissolve trick every 12 frames.
Luckily this was only a 2 hour movie...)
VideoToolShed
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For large files:
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----- Original Message -----
From: "Mark Spano" <cutandcover@gmail.com>
To: <Avid-L2@yahoogroups.com>
Sent: Tuesday, March 20, 2012 1:23 AM
Subject: Re: [Avid-L2] Re: [FCP-L] Easy way to remove 2:2:2:4 pulldown?
I have the latest rev Mini. Despite what the manual says, it definitely does
not do shot to shot cadence detection. I don't have access to the big boy,
so I'm out of luck there.
I appreciate all of the responses, sincerely. Hopefully my complaints to the
people I'm working for on this get far enough up the chain to at least get
someone listening.
On Mar 19, 2012, at 7:42 PM, "Terence Curren" <tcurren@aol.com> wrote:
> Terranex. Has shot to shotcadence detection.
>
> --- In Avid-L2@yahoogroups.com, Mark Spano <cutandcover@...> wrote:
> >
> > Thanks for the reminder Jay. Turns out the first few scenes were all the
> > same cadence, but the cadence broke off from there and became random
> > based
> > on the edit. So this was a case of 24p source footage edited into a
> > 29.97
> > FCP timeline instead of what I originally thought (24p edit dropped into
> > a
> > 29.97 FCP timeline). It all seems so hopeless now.
> >
> > I wish people who shoot 24p would edit and color correct at 24p too.
> > Then
> > at least I'd get a 24p file and could apply a proper pulldown in my
> > online.
> >
> > So many wishes these days...
> >
> > Thanks for the help!
> >
> >
> > On Mon, Mar 19, 2012 at 6:28 PM, Jay Mahavier <jay_mahavier@...>wrote:
> >
> > > **
> > >
> > >
> > > As a note, if you are needing to do this to a edited sequence it can
> > > only
> > > work if the pulldown was applied after the sequence was cut together,
> > > so
> > > only if the pulldown is applied on the output. If the pulldown was
> > > applied
> > > during original acquisition or during a transcode process then the
> > > pulldown
> > > cadence won't be steady. It will shift from 0/5 to 1/6 to 2/7 and so
> > > forth
> > > as you come across edit events. So the process I wrote about only
> > > works
> > > when the cadence is steady, like on camera source or when applied to
> > > the
> > > output of the sequence.
> > >
> > > jay
> > >
> > >
> > > On Mar 19, 2012, at 5:02 PM, Mark Spano wrote:
> > >
> > > > Not a bad suggestion. I'll give it a go.
> > > >
> > > > Thanks Jay.
> > > >
> > > >
> > > > On Mon, Mar 19, 2012 at 5:39 PM, Jay Mahavier <
> > > jay_mahavier@...>wrote:
> > > >
> > > >> **
> > >
> > > >>
> > > >>
> > > >> Well, I don't know what this would do to your audio, but... Capture
> > > >> or
> > > >> export to a file sequence, like TIFF or DPX or something. Then
> > > >> figure
> > > out
> > > >> what the pattern is for the repeat frames, 0/5, 1/6, 2/7, etc. Then
> > > >> from
> > > >> the terminal go to that directory and delete all the files that end
> > > >> in
> > > the
> > > >> numbers that you want to get rid of. Then use something like Better
> > > Finder
> > > >> Rename to renumber the remaining frames to a sequential set and
> > > >> import
> > > that
> > > >> file sequence or make into a QT or whatever.
> > > >>
> > > >> Jay
> > > >>
> > > >>
> > > >> On Mar 19, 2012, at 4:27 PM, Mark Spano wrote:
> > > >>
> > > >>> I've been wondering this for a while, and have tried in vain to
> > > >>> find a
> > > >> way
> > > >>> to remove 2:2:2:4 pulldown from clips which have had this
> > > >>> inadvertently
> > > >>> (read: incorrectly) added. The only thing I have come up with so
> > > >>> far is
> > > >>> this process:
> > > >>>
> > > >>> - edit out every fifth frame
> > > >>> - export QT of edited sequence at 29.97
> > > >>> - conform in Cinema Tools to 23.98
> > > >>>
> > > >>> That's fine, but a bit of a pain, even on a thirty second clip.
> > > >>> Now I
> > > >> have
> > > >>> a 55 minute clip. What's the best way? There should be something
> > > >>> simple
> > > >>> that does this - I can't find it.
> > > >>>
> > > >>> Any help is appreciated.
> > > >>>
> > > >>>
> > > >>> [Non-text portions of this message have been removed]
> > > >>>
> > > >>>
> > > >>>
> > > >>> ------------------------------------
> > > >>>
> > > >>> To learn more about the FinalCutPro-L group, please visit
> > > >>> http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> > > >>>
> > > >>>
> > > >>>
> > > >>
> > > >>
> > > >>
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
> > > > To learn more about the FinalCutPro-L group, please visit
> > > > http://groups.yahoo.com/group/FinalCutPro-LYahoo! Groups Links
> > > >
> > > >
> > > >
> > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
[Non-text portions of this message have been removed]
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