There's an argument to be said that because the compression of the source
files is usually Long GOP, the files are actually higher quality than what
the equivalent linear I-frame bit rate would represent. Rule of thumb for
me is for every 10Mbps of Long GOP, I treat it like 40Mbps of I-frame. So
for files shot with 5D that come out to 30-40Mbps Long GOP H264, I treat
them as if they were 120-160Mbps I-frame equivalent, and transcode as such.
I am open to opinions on this but I definitely feel that you lose something
if you go 30Mbps Long GOP to 36Mbps DNxHD.
On Wed, Mar 7, 2012 at 1:14 PM, Steve Hullfish <steve4lists@veralith.com>wrote:
> **
>
>
> Not much. The original source files are almost exactly that size... not
> that size is the same as compression, but it seems crazy to take such a
> small original source and "bump it up" that much. Especially when you want
> to do multi-cam with it.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
>
>
>
[Non-text portions of this message have been removed]
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