You make a good point. This is intended for theatrical distribution and maybe that's where the 24 comes in. I was told it was a requirement for the international delivery. I'll point out the 25 conversion for the "Normal" part of the world and I'm sure that will make them feel better. ;-)
--- In Avid-L2@yahoogroups.com, "bouke" <bouke@...> wrote:
>
> this makes no sense. 24 is not intended for the international world if you
> already have 30.
> So you should be doing a standards conversion to 25 for the normal part of
> the world.
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
> 6512 AS NIJMEGEN
> The Netherlands
> +31 24 3553311
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>
> ----- Original Message -----
> From: "John Moore" <bigfish@...>
> To: "Avid L2" <Avid-L2@yahoogroups.com>
> Sent: Tuesday, March 13, 2012 11:04 PM
> Subject: [Avid-L2] 29.97P conversion to 24/23.976
>
>
> We have a CG show that all the animation was done 29.97P. They want to
> convert to 24 for international distribution. They've tried a Terenex in
> "auto" mode and "film" mode. The film mode is crisper but stutters. The auto
> mode is more fluid but on many shots there is something akin to what
> fluidmotion does sometimes in Avid with a distorted image. They are going to
> test a few more devices like an Alchemist and something else I can't
> remember the name. The issue is the original being 29.97P and not 23.976
> with pulldown added. Curious what others have done or think might be the
> proper device/mode to try. I'm thinking 29.97P would be easier to convert
> the 29.97I/59.94I but I'm not really sure if that's true. Hind sight is
> always great in these situations.
>
> John Moore
>
> Barking Trout Productions
>
> Studio City, CA
>
> bigfish@...
>
> [Non-text portions of this message have been removed]
>
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