Haven't done anything in FCP with more than a couple stills - but I've
done some pretty long sequences with Premier. If you can put up with
the rendering, it does well.
Mark
On 6/5/11 2:01 PM, Alan Miller wrote:
>
> Terence Curren <tcurren@aol.com <mailto:tcurren%40aol.com>> wrote:
>
> FCP does an ugly job with manipulating stills, and if you get too many
> in the timeline, it starts to have memory issues. Just saying...
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Mark Myers <MarkM@...> wrote:
> >
> > I hate to say this on an Avid list - but I've given up on Avid for
> > manipulating stills. I use FCP or Premier Pro. Both are much much
> better.
> >
> > Mark
> >
> >
> > Owner, Director
> > SR Film & Video Productions
> > 195 W Broad St
> > Salunga PA 17538
> > 717-393-5333 ex 142
> > www.SR-Pro.com <http://www.sr-pro.com>
> >
> > Follow us on Facebook
> >
> <http://www.facebook.com/pages/Salunga-PA/SR-Film-Video-Productions/132001820445>;
> > Linked In <http://www.linkedin.com/pub/mark-myers/8/488/746>;
> > Twitter <http://twitter.com/SRProductions>;
> >
> > On 6/4/11 10:55 PM, Shirley Gutierrez wrote:
> > >
> > >
> > > Stagetools is pretty good, but it's effect timeline is pretty
> > > rudimentary, and I don't think it automatically extends media to
> > > account for dissolves.
> > >
> > > Shirley
> > >
> > > -----Original Message-----
> > > From: Jeff Krebs <rockinjeff@... <mailto:rockinjeff%40gmail.com>>
> > > To: Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>
> <mailto:Avid-L2%40yahoogroups.com>
> > > Sent: Sat, Jun 4, 2011 1:47 am
> > > Subject: Re: [Avid-L2] Pan and Zoom Avid really you can't fix this?
> > >
> > > Use Stagetools. You won't crash, you'll render fast and you'll have
> > > control.
> > > and you'll never have to use pan and zoom again.
> > > AVX
> > > http://www.stagetools.com/
> > >
> > > On Sat, Jun 4, 2011 at 12:45 AM, John Moore <bigfish@...
> > > <mailto:bigfish%40pacbell.net>> wrote:
> > >
> > > >
> > > >
> > > > Back in the trenches with a stills heavy season opener and I
> just can't
> > > > fathom the lack of attention Pan and Zoom has been given since
> it was
> > > > introduced. I know the old, "it was made over a weekend by an Avid
> > > engineer
> > > > to facilitate a home video he was working on" line but it's been
> out
> > > a long
> > > > time now. These aren't new but I feel I should reiterate them.
> When pan
> > > > and zoom is already linked to low res stills and there is not slug
> > > > underneath there is no prompt to give you still number information
> > > to help
> > > > find the high res source. This is a real pain. Then when you find
> > > the high
> > > > res still if all the keyframes are highlighted and you select the
> > > still the
> > > > move is nuked, you have to make sure only one keyframe is
> highlighted to
> > > > preserve the move. This is not only unintuitive but really lethal
> > > when an
> > > > AE has relinked the stills and now you have no moves in online.
> This
> > > is as
> > > > bad as the 100th auto save bug a while back, or at least close. Then
> > > > when you don't redirect the source for the pan and zoom the render
> > > requires
> > > > a second render to get the full quality. Again this is not
> intuitive
> > > at all
> > > > and sometimes it's hard to tell if you need to rerender to get full
> > > > quality. The way pan and zoom works is pathetic. I appreciate the
> > > ability
> > > > to get to the full res stills but really Avid this is the best you
> > > can do?
> > > > In comparison the Title Tool looks like a Chyron Infinite relative
> > > to the
> > > > poor implementation of pan and zoom. To be fair moving pictures
> has it's
> > > > quirks but come on Avid help me find the source data without having
> > > to take
> > > > things off line.
> > > >
> > > > John Moore
> > > >
> > > > Barking Trout Productions
> > > >
> > > > Studio City, CA
> > > >
> > > > bigfish@... <mailto:bigfish%40pacbell.net>
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > > >
> > > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >_____________________________________________
>
> > >
> > > Search the offical complete Avid-L archives at:
> > > http://archives.bengrosser.com/avid/
> > >
> > > If you want to donate to Red Cross quake relief, you can do so
> through
> > > your cell
> > > phone. Text redcross to 90999 to make a $10 donation. It will be on
> > > your next
> > > cell bill.Yahoo! Groups Links
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
> _____________________________________________
>
> Search the offical complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
>
> If you want to donate to Red Cross quake relief, you can do so through
> your cell phone. Text redcross to 90999 to make a $10 donation. It
> will be on your next cell bill.Yahoo! Groups Links
>
> The best thing for stills in Avid is AvidFx. Everything you needis
> there. Including rotation ,lighting, shadows etc. it comes with MC.
> Alan Miller
> --
> Sent from my Android phone with K-9 Mail. Please excuse my brevity.
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
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