"The ability to see your ins and outs of both your sequence and your source at the
same time is very efficient. Just like 4 display trim mode."
What he said! Why take this away? I skip the source window and dump clips directly to the timeline all the time, but I like having the option to see both sides.
Shirley
-----Original Message-----
From: Terence Curren <tcurren@aol.com>
To: Avid-L2@yahoogroups.com
Sent: Mon, Mar 7, 2011 8:34 am
Subject: [Avid-L2] Re: Milestone
--- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@...> wrote:
<<I was trying to describe this to someone recently - the demise of the dual
screen paradigm - and in a way, it's not that unusual. >>
As I understand it, the reason other systems don't have a locked source
record window like Avid does is that it is patented. It was Montage's patent,
when Avid acquired them it became Avid's.
And it was an improvement over the linear room without additional monitors.
The ability to se your ins and outs of both your sequence and your source at the
same time is very efficient. Just like 4 display trim mode.
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