--- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@...> wrote:
<<I was trying to describe this to someone recently - the demise of the dual screen paradigm - and in a way, it's not that unusual. >>
As I understand it, the reason other systems don't have a locked source record window like Avid does is that it is patented. It was Montage's patent, when Avid acquired them it became Avid's.
And it was an improvement over the linear room without additional monitors. The ability to se your ins and outs of both your sequence and your source at the same time is very efficient. Just like 4 display trim mode.
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