It does 'sort of' work with AMA, but, I see AMA during editing as a fast way
for news cutting in the field,
not for long form / high end stuff.
AMA for me means another way of importing.
So i would like to consolidate / transcode the AMA files.
I'm still on Adrenaline, so no full res if the stuff aint transcoded, and my
client of course like to see what she has shot in full res
But neither consilidate / transcode works reliable (for me on 100 Mb HD
25i).
It is a nice camera though, and my workaround seems to work just fine.
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "Knut A. Helgeland" <knut@toxic.no>
To: <Avid-L2@yahoogroups.com>
Sent: Thursday, January 13, 2011 11:48 AM
Subject: Re: [Avid-L2] Avid Honored Again by National Academy of Television
Arts and Sciences
On 12. jan. 2011, at 00.34, Bouke wrote:
> So what exactly do you have to pay / who do you need to pleasure with
> extended service to get an Academy 'honoration'?
Not to subtract from your valid points, but I read this award as a
historical acknowledgement of their pioneering effort in tapeless
production. Remember the first EditCam was developed in the early nineties,
it recorded omf media in AVR resolutions, and you could edit in MC straight
from the EditCam disks. This was almost 20 years before tapeless became
common, quite mind blowing at the time, but way too early for the industry.
I have no experience with todays GFCAM but would assume it's meant to work
with MC through AMA?
K
No comments:
Post a Comment