in v4, the Mix and match feature took out the "sequence frame rate conversion" method for some reason. These are two very different workflows of which one does not enable the other in many situations.
The feature was brought back in v5 and when opening the 29.97 sequence in your 23.976 project, you do get the option for the sequence conversion. But if your original 29.97 sequence contains clips that were original mix & match, then it won't work.
You can also go back to a 3.x build to do the conversion. What I don't know is if that fix was added to the most recent 4.x or if it is only in v5.
I still need to look into the transcode message, although I understand what's it's saying, I need to check with engineering and QA as to all the situations this may apply and effect on metadata.
Michael
--- In Avid-L2@yahoogroups.com, Greg Huson <Greg@...> wrote:
>
> I'm conforming a feature that was done all 29.97 - but the original is
> 23.98. I haven't had this combo recently - in the past, the method
> was to create a 23.98 edl from the 24p column.
>
> Is there a newer, better, more efficient, not-involving and EDL
> method? Offline source was 23.98, captured as 29.97.
>
> Anything better than the EDL method? I'm poking around the internet
> and help files, but the 'L' is often faster!
>
> gh
> ----------------------------------------------------
> Greg Huson
> Secret Headquarters, Inc
> Post Production / Production
> Culver City, CA
> 323 677 2092
> 323 677 2096 F
> www.DigitalServiceStation.com
> greg (at) SecretHQ.com
> www.SecretHQ.com
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
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