Friday, June 18, 2010

[Avid-L2] Re: 2997 to 2398

Ready for fun???

You can open your 29.97 sequence in a 23.98 project and Avid converts everything. But....

It keeps the sources as 29.97 with the motion effect applied to make them 23.98.

So, you now have two possible workarounds.

1: is to use a combination of the Avid conversion method and EDL. In other words, do the EDL method and cut it over your converted sequence on a higher track. Then you can lift effects from the converted sequence up to the EDL created shots. When done, decompose and capture.

2: And I haven't tried this yet but it should work. Transcode your converted 23.98 timeline to changing the frame rate to 23.98. Delete all that media, decompose and capture.

--- In Avid-L2@yahoogroups.com, Greg Huson <Greg@...> wrote:
>
> I'm conforming a feature that was done all 29.97 - but the original is
> 23.98. I haven't had this combo recently - in the past, the method
> was to create a 23.98 edl from the 24p column.
>
> Is there a newer, better, more efficient, not-involving and EDL
> method? Offline source was 23.98, captured as 29.97.
>
> Anything better than the EDL method? I'm poking around the internet
> and help files, but the 'L' is often faster!
>
> gh
> ----------------------------------------------------
> Greg Huson
> Secret Headquarters, Inc
> Post Production / Production
> Culver City, CA
> 323 677 2092
> 323 677 2096 F
> www.DigitalServiceStation.com
> greg (at) SecretHQ.com
> www.SecretHQ.com
>
>
>
>
>
> [Non-text portions of this message have been removed]
>


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