Friday, January 8, 2010

Re: [Avid-L2] Re: Oh joy

Interesting point Job, we shot color for a long time before it ever
went to air, in order to preserve the life of the material, as you
suggest the same could apply to 3D, I assume even if the display
method changes (Holographic for instance) the data would still work.

Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone

On 09/01/2010, at 8:17 AM, "Job ter Burg (L2B)" <Job_L2@terburg.com>
wrote:

> "Rich Ford" (08-01-2010 19:50) :
>
>> I don't see 3D as any kind of savior of the
>> theatrical industry
>
> Me neither.
> I'm just contemplating the long-term effects of the possibilities
> that 3D
> image capture offers. When shooting for 3D becomes as easy as
> shooting in
> color, why would anyone shoot 2D?
>
>
> --
> Job ter Burg
> film editor - NL
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>


------------------------------------

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