- There is quite a hump to leave your editing app, migrate the entire
sequence into a different box, and then bring it back. That hump costs
you time, money and aggravation, of which you could save 100 % if you
can get it done in the editing app.
- Avid, as far as I can tell, will have a real hard time addressing
most of the points brought up in this thread, because it would mean
that they'd have to rewrite the compositing part of the app from the
ground up. What they have now seems beyond salvation. I don't see how
they will have enough incentive, as in: revenue, to do that. (Pure
speculation on my part, of course.)
Nonetheless, the one big thing that Avid has going for itself is the
huge user base among professional editors. This won't last forever,
though.
Rainer Standke
XMiL Workflow Tools
http://www.xmil.biz
On Nov 15, 2009, at 14:39 , oliverpetersvidy wrote:
>>> To be fair, the FCP version of a resized still looks like crap.
>>> That's why
>>> so many go out to Motion for that kind of thing.
>> Ah, so it's not just me!
>> Shirley
>
> Actually I don't find that to be true with HD. Even with SD I've
> lately been pretty happy with the moves. Often the key is to add a
> slight Gaussian blur to knock down the heavy texture that's part of
> a high-res still. It doesn't make the image soft in video-land, but
> keeps it from scintillating during the move.
>
> In any case, you're going off into the weeds. The point of the
> thread isn't that FCP is better or worse, merely that there is room
> for improving the model of a "finishing NLE". The advantage FCP does
> have is that the suite can be used by a set of specialists who each
> use the individual apps to their own strengths. OR - it can be used
> by a single, strong generalist who also can leverage the power of
> the suite.
>
> Whether is not this is the best model is up for debate. The start of
> all of this was talking about whether there is room or need for an
> app like Mac Smoke. Seems like at least a few folks here feel that
> there is - and in a way that DS hasn't addressed for whatever
> reason. Whether or not they buy it is another issue, of course.
>
> - Oliver
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>
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