originated in the NTSC DV25 codec, which was a hybrid
intra-field/intra-frame codec. It was much happier encoding/decoding
an interlaced frame derived from a single 24P image, than an
interlaced frame derived from two different 24P images. And it wasn't
the fault of the FireWire capture either, which neither improved nor
degraded the problems with the NTSC DV25 codec.
"Advanced" pulldown eased the codec's job as it never had to deal with
an interlaced frame derived from two different progressive frames.
On Tue, Sep 29, 2009 at 11:24 AM, Terence Curren <tcurren@aol.com> wrote:
> FCP was unable to remove a field in firewire capture, hence "advanced" pulldown. Avid came out with the ability to actually remove fields in firewire capture. It was an impressive feat at the time.
>
> --- In Avid-L2@yahoogroups.com, "Ken Sirulnick" <kenavid2@...> wrote:
> > It is the "900" Panny camera that records to tape. They will be recording some stuff right to Nanoflash so some of the material will be file based. I wasn't sure if Avid had an easier time removing pulldown from Advanced or Normal Pulldown. I always told people to use Advanced only if they are capturing with firewire, but I recall (I forget whether Avid or FCP) removes the PD from Advanced easier than Normal when you use the Panny 1080i 23.98 (23.98 over 60).
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