--- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
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> On Sep 28, 2009, at 8:04 PM, Steve Hullfish wrote:
>
> > One of the main reasons for color correction is for continuity. No
> > matter how good your DP is, you need color correction to give the
> > illusion of continuity in a scene that is sometimes shot over days.
> > Numerous feature film-level interviews with DPs and colorists confirm
> > this.
> >
> >
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> I have to agree with Steve on that one, John. Think of continuity of
> the image in the same way you would create smooth and consistent audio
> levels and sound quality between dialog and room tone, creating the
> impression of seamlessness and continuous time.
>
> I don't do a lot of advanced CC, but the workflow I've used in the
> past is that the "Primary" CC level is to even-out the scenes and the
> "Secondary" CC level is to add the creative look (e.g., hi-con, night,
> whatever...).
>
> Now, if you're talking about continuity of action, that's another
> story. To quote my friend Steve Beaumont: "Continuity, Schmont-
> inuity!" ;-)
>
> Cheers,
>
> Benjamin
>
> Benjamin Hershleder
> http://ContactBen.com
>
> Wear It In Post!
> Fun T-shirts, mousepads & more
> for Post Production Professionals
> http://www.WearItInPost.com
>
>
> > On Sep 25, 2009, at 1:14 PM, John Moore wrote:
> >
> > > I guess the motto for today's show is, "Continuity is for lames."
> > > Since when is color correction supposed to create the illusion of
> > > Continuity? Oh well at least I have a jet power easy chair to work
> > > with. I feel better now. :-)
> > >
> > > John Moore
> > >
> > > Barking Trout Productions
> > >
> > > Studio City, CA
> > >
> > > bigfish@...
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
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> [Non-text portions of this message have been removed]
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