On Jan 13, 2023, at 4:05 PM, Benjamin Hershleder <Ben@ContactBen.com> wrote:<time_machine.jpg>OK . . . I officially hate Apple Time Machine.It's plugged-in every hour of every day when I'm working. Now, only the second time that I've ever gone in to retrieve a file > > > it's nowhere to be found!I've searched a myriad of ways, including file type (.psd) along with criteria such as created after 1/1/23.What good is it if it doesn't backup stuff?!Anyone have a recommendation for a more robust alternative?TIA . . . now, please excuse me while I retire from the computer in order to clean up the mess in my office — from my head exploding . . . . <sigh>Thanks all!Cheers,Benjamin———————————Benjamin Hershleder/
Saturday, January 14, 2023
Re: [Avid-L2] OT: File Backup App (not for media)
Re: [Avid-L2] OT: File Backup App (not for media)
Additionally, I use ChronoSync to make backups of my Avid projects folder, et al. You can configure it to run a number of ways, but I have mine set to trigger a backup 5 minutes after it detects a filesystem change. This means that 5 minutes after I hit save, it makes a copy of whatever .avb files have changed since the last sync. I have it going to a folder on my Dropbox, and my Dropbox folder is also getting backed up to CrashPlan.
I also recently started using JottaCloud ($9.90/month) to test it out as an alternative to CrashPlan.
I've never used TimeMachine and don't plan to.
--
kenton van natten, post-production mercenary
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#136000) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Friday, January 13, 2023
[Avid-L2] OT: File Backup App (not for media)
Monday, January 9, 2023
[Avid-L2] Deck Control with Blackmagic UltraStudio HD Mini
I/O. Using a PDW-F1600 XDCAM deck.
Of course video, audio and deck control are flawless with BMD's software
(Media Express).
Avid sees audio and video -- but sees nothing for the deck. Deck
Configuration shows no ports on Direct.
Anyone know the secret sauce for getting Avid to play nice with the
UltraStudio??
Many thanks in advance.
Tim Selander
Tokyo, Japan
-=-=-=-=-=-=-=-=-=-=-=-
Groups.io Links: You receive all messages sent to this group.
View/Reply Online (#135998): https://groups.io/g/Avid-L2/message/135998
Mute This Topic: https://groups.io/mt/96172083/2971402
Group Owner: Avid-L2+owner@groups.io
Unsubscribe: https://groups.io/g/Avid-L2/leave/5759084/2971402/1548653033/xyzzy [administrator242.death@blogger.com]
-=-=-=-=-=-=-=-=-=-=-=-
Re: [Avid-L2] Avid and BCC Title Studio?
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135997) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
[Avid-L2] Avid and BCC Title Studio?
Sunday, January 8, 2023
[Avid-L2] All current Artist I/O's are past their Final Sale Date, what's coming?
From: https://www.avid.com/products/avid-artist-io
"Avid Artist I/O interfaces offer extensive HD and high-res format support across four interfaces—Avid Artist | DNxIQ, Avid Artist | DNxIV, new Avid Artist | DNxIP, and new Avid Artist | DNxID. This flexibility future-proofs your production, enabling you to work with today’s high-res formats, while supporting HD and SD too. You can also work with 2K or 4K media and deliver in HD with the onboard real-time down-converter, enabling you to transition to high-res at your own pace."
From: https://avid.secure.force.com/pkb/articles/en_US/FAQ/End-of-support-dates?retURL=%2Fpkb%2Farticles%2Fen_US%2Fcompatibility%2Fen273267%3Fpopup%3Dtrue%26NewLang%3Den%26DocType%3D1083&popup=true
Video Editing
| Product / Model | SKU's / Part Numbers | Final Sale Date | End of Support Date |
| Artist | DNxID | 9935-72387-00 | 12/31/2022 | 12/31/2027 |
| Artist | DNxIP | 9935-72386-00 | 3/31/2022 | 3/31/2027 |
| Artist | DNxIQ | 9935-71869-00 | 12/31/2022 | 12/31/2027 |
| Artist | DNxIV | 9935-72385-00 | 12/31/2022 | 12/31/2027 |
Has anyone heard anything about what new and/or revised I/O tech might be on the way?
Cheers
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135995) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Thursday, January 5, 2023
Re: [Avid-L2] AAF with mixed sample rates?
On Jan 5, 2023, at 11:37 AM, bouke <bouke@editb.nl> wrote:
On 05 Jan 2023, at 01:05, JBeck <jb30343@windstream.net> wrote:The more samples per second, the smoother and more detailed the waveform.This is incorrect. The player should generate a waveform, no matter the amount of 'steps', since blockwaves don't exist in 'nature'.The more samples per second, the higher of frequencies can be described, but input a wave, a wave comes out or you have a horrible out of spec player.The higher the bit depth (Y axis) the more nuanced the loudness. JBAlso not true. A higher bit depth can describe lower volumes. (If you mean with 'nuanced' a lower noise floor or higher dynamics, ok. But for the vast majority of mixed / finished sound, it is impossible to hear the difference between 16 and 24 bits.There is a very nice video on the subject, I once found the link on JW soundgroup, but can't find it back anymore.Bouke
Re: [Avid-L2] AAF with mixed sample rates?
On 05 Jan 2023, at 01:05, JBeck <jb30343@windstream.net> wrote:The more samples per second, the smoother and more detailed the waveform.
The higher the bit depth (Y axis) the more nuanced the loudness. JB
Re: [Avid-L2] AAF with mixed sample rates?
MC can do SR conversion on exporting AAF, but you have to check the box to request it. It isn't the default behavior.
On export to Pro Tools, everything is converted to the project rate (if needed), so there is no reason to flag it. The check box is still there if you want to convert to something other than your project rate.
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135992) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] AAF with mixed sample rates?
That said, doesn't MC do an SR conversion when exporting an AAF? I've seen that on the progress bar for something...
Good test for .PTX export from MC -> Protools. Does SR get flagged in any way.
<Whinge>
I'd try it myself but
a. my MC perpetual has lapsed and there's no option to 'get current'
</Whinge>
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135991) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Wednesday, January 4, 2023
Re: [Avid-L2] AAF with mixed sample rates?
On Jan 4, 2023, at 5:46 PM, C. Hess <cfh3media@gmail.com> wrote:
I thought sample rates simply referred to quality,and had nothing to do with playback, i.e. frame rates.On Jan 4, 2023, at 3:34 PM, John Moore <bigfish@pacbell.net> wrote:[Edited Message Follows]
Thanks for all the info. In my search I found someone talking about mixed sample rates problems in Nuendo but they were told it worked okay in ProTools. That made me think protools would have handled the few 44.1K files but now I know better. So many Frame Rates, Sample Rates, Raster Dimensions it' a wonder anything works at all anymore. Oh and don't get me started on Fonts or LUTs.
Re: [Avid-L2] AAF with mixed sample rates?
On Jan 4, 2023, at 3:34 PM, John Moore <bigfish@pacbell.net> wrote:[Edited Message Follows]
Thanks for all the info. In my search I found someone talking about mixed sample rates problems in Nuendo but they were told it worked okay in ProTools. That made me think protools would have handled the few 44.1K files but now I know better. So many Frame Rates, Sample Rates, Raster Dimensions it' a wonder anything works at all anymore. Oh and don't get me started on Fonts or LUTs.
Re: [Avid-L2] AAF with mixed sample rates?
[Edited Message Follows]
Thanks for all the info. In my search I found someone talking about mixed sample rates problems in Nuendo but they were told it worked okay in ProTools. That made me think protools would have handled the few 44.1K files but now I know better. So many Frame Rates, Sample Rates, Raster Dimensions it' a wonder anything works at all anymore. Oh and don't get me started on Fonts or LUTs.Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135988) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] AAF with mixed sample rates?
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135988) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Monday, January 2, 2023
Re: [Avid-L2] AAF with mixed sample rates?
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135987) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] AAF with mixed sample rates?
Pro tools plays all the audio at the session's sample rate, regardless of what the file says it is. ("Project rate", in MC terminology.) Since the session is 48K, the 44.1K audio would play sped up and pitched higher. I suspect that's why Media Composer has the warning, in order to reduce the number of angry phone calls the video editors get from the sound department.
The new "export Pro Tools Session" feature will always convert any media that's not at the project sample rate and build the session to refer to the converted media.
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135986) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Sunday, January 1, 2023
Re: [Avid-L2] AAF with mixed sample rates?
If I hadn't chosen to delete the original audio what would happen to the 44.1K audio clips? Do they still live inside the avidmediafiles folder or would they be sequestered to some sort of quarantine folder?
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135985) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] AAF with mixed sample rates?
Thanks for the reminder.
On Sun, Jan 1, 2023 at 02:00 PM, Job ter Burg (L2) wrote:
In MC, just select the clips in the bin, right-click, choose Audio->Change Sample Rate, set to 48kHz and High, deleting the originals.J
On 1 Jan 2023, at 22:53, John Moore <bigfish@pacbell.net> wrote:
I'm about to pass a project on to audio. I'm pretty sure it will be done in ProTools but I will double check. Upon export I get a prompt that the aaf has mixed sample rates. I found a few dvd rips with 41.1K audio sample rate. Will ProTools object to the mixed sample rates?I'm trying to think of the most efficient way to convert the odd sample rates to 48K. I have found the offending clips. I'm trying to recall if there is a way to just modify the clips that I have located. I don't usually deal with audio aafs but this is a multi hat project on my end.Any new years suggestions?Happy New Year L-2John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135984) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] AAF with mixed sample rates?
On 1 Jan 2023, at 22:53, John Moore <bigfish@pacbell.net> wrote:I'm about to pass a project on to audio. I'm pretty sure it will be done in ProTools but I will double check. Upon export I get a prompt that the aaf has mixed sample rates. I found a few dvd rips with 41.1K audio sample rate. Will ProTools object to the mixed sample rates?I'm trying to think of the most efficient way to convert the odd sample rates to 48K. I have found the offending clips. I'm trying to recall if there is a way to just modify the clips that I have located. I don't usually deal with audio aafs but this is a multi hat project on my end.Any new years suggestions?Happy New Year L-2John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
[Avid-L2] AAF with mixed sample rates?
[Avid-L2] Avid-L2 FAQ #guidelines-notice
Welcome to the Avid-L2
FAQ!
AVID-L II Frequently Asked Questions (FAQ)
Subscribing (or unsubscribing) to the Avid-L2
Send an e-mail message to:
Avid-L2+subscribe@groups.io
Or, to unsubscribe, send e-mail to:
Avid-L2+unsubscribe@groups.io
Note that by subscribing, you are acknowledging that you have read
and understand this FAQ See below for additional detail.
Your options for member types can be reviewed on the group's home page. At any time, you can view messages on the web site for this group itself
Membership types are Indvidual messages, Digests of 12 messages each, Daily Summary, special announcements only, or no mail at all to use the web portal only.
To change your member type, visit the group s.io web site and modify your membership type in the check boxes provided
Policies
Despite what email address or handle you use, you should register as a Yahoo user to participate in the Avid-L2, for access to the web features of this group.
Subscribers should set up an account with their legal first and last names, then send the request to join.
This is a Moderated list, and all subscription requests must be approved by the moderator(s). I, please include your first and last name in the subscription request to the moderator when you request to join.
As always, Groups.io and the moderators of this list are not responsible for the use third parties may make of information you have made publicly available in this or any other public
forum. Please take a look at the applicable Yahoo Terms of Use and Privacy
Policy for more information about public information and forums.
Off Topic Filtering. Part of the interest of the Avid-L2 is it's range
of topics. If you are posting an Off-topic thread, please preface the
subject with OT: Use the colon after the letters.
Email filters and rules can be used by subscribers to move Off Topic posts to where ever they would like in their email organization by using a rule/filter with Sender of: Avid-l2@yahoogroups.com and subject contains OT: .
The Avid-L is a helpful yet rough around the edges crowd. Topics that are not welcome are religion, politics, and other disruptive topics that interfere with the operation of the list. Moderation of these topics will be quick, so simply put- Let's all just play nice
Commercial Posts must be prefaced with [commercial] in the subject or they will be rejected.
Jobs should have #job in their header, and press releases should have [pr] in their header
Background
Avid-L was established in 1994 at Calvin College by Steven Koster.
It was created to be a forum for Avid users to meet, discuss, and share
information.
Avid-L quickly grew into the premiere on-line users group for
professional film and video editors. It was one of the earliest examples
of an Internet community, allowing hundreds of editors worldwide to
share their experiences and expertise with their peers. There was no
better place for a professional Avid editor to get such wealth of
informed professional advice.
At various times, individual subscribers volunteered services to the
group. Searchable archives were maintained by Germany's Berlin Users
Group as well as the UIUC. A tips & tricks list was posted by Andy
Birkhead of Innovative Edit. Wes Plate, a longtime contributor, not only
shared key techniques on his Web site, he also created a photo gallery
for members' portraits.
In 1997, several subscribers began a tradition of meeting in person at
the NAB trade show in Las Vegas. The first gatherings were organized by Jaime Fowler. In 1999,
Avid Technology itself began sponsoring these gatherings as an exclusive reception and seminar for Avid-L members only. In 2002, this changed to the "Avid Users Group" meeting.
By 1999, Avid-L boasted over 1600 subscribers, exhibiting a true
international scope with over 300 international members. The community
included participants from a wide variety of well-known corporate
organizations in broadcasting, technical, and content creation fields,
as well as and multiple local TV stations, colleges, and universities.
In 2000, Avid-L joined AvidProNet.com, and then, in 2002, was integrated
Into Avid.com.
In 2005 Due to problems with signal to noise ratio and abusive posters, the Avid-L2 was formed. A year later the Avid-L was discontinued by Avid.
At the middle of 2006, the L2 has around 1100 members, with plenty of "lurker only" members who simply use the web version of the list. The L2 is spam-free, by moderation and with Groups.io’s tools and will remain that way.
In 2019, the Group has migrated to Groups,io from the previous Yahoo engine- the Groups.io page maintains the complete Avid-L2 archive. The original Avid-L archive has been lost to the history of the interwebz.
Welcome, and Enjoy!
Extras!
With a Groups.io account tied to your subscription to the Avid-L2, you can use the web features of the Group.
Calendar Various Avid events are in the Calender. If you have an event you'd like posted, pull down and fill out the Calendar event request and send it to any Moderator
Database - The database area contains Avid Feature requests, Help Wanted, Freelance Listings and For Sale sections. Feel free to add your listings to any of these areas. Job Postings will remain up for 1 month. Please date all postings to the database areas, being pertinent is a good way to be.
Files- The files section contains various sundry files, including the latest Avid release notes. Check back often for changes.
Photos - Pictures of your Avid setup are welcome, or pictures relating to a post you need a photo to explain. Photos will be posted after moderator approval. Who knows, your picture might grace the front page for a while.
Links- Various helpful links, including direct links to Avid CPR releases can be found here, also the link to the archives.
JDS
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135981) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Mute #guidelines-notice
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Friday, December 30, 2022
Re: [Avid-L2] Dell Precision 3660 Tower PCIe slot use - OT
Best wishes to all for a happy and successful 2023!
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135980) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Thursday, December 29, 2022
Re: [Avid-L2] Dell Precision 3660 Tower PCIe slot use
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135979) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] Dell Precision 3660 Tower PCIe slot use
I know your frustration with getting information from Dell. I've spent close to 4 hours trying to track down the Thunderbolt 4 PCIe card that the Precision 3660 Tower spec sheet says exists. I purchased this 3660T from the Dell Business Outlet but while researching I found the TB4 card even appears as an add-in board if you do a custom 3660T build. However selecting that option throws a "restricted item" warning with no further information.
This experience has resulted in the submission for consideration of a new element to the periodic table. It will follow right after "unobtanium" and "vaporwarium". I've taken the liberty to name this new element "unknownium". Whereas unobtanium represents a known element that simply can't be found, unknownium represents a nearly mythical element that exists only in vague textual references, similar to vaporwarium but with a lot less marketing hype and a lot more elusive. No part number or product code is associated with unknownium. No OEM department (sales, customer service, tech support) can verify its physical existence or even confirm knowledge of it.
For the time being at least I have an assortment of USB 3.2 Type-C Gen 2 (10 Gbps) and Gen 2x2 (20 Gbps) ports and external RAID storage compatible with that.
Cheers!
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135978) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Wednesday, December 28, 2022
Re: [Avid-L2] Dell Precision 3660 Tower PCIe slot use
Karl –
What do you have to lose?
BTW, the last Dell I configured had the Thunderbolt turned off in the BIOS. It was a pain to figure out – even Dell tech support didn't have a clue.
Thanx,
dave@spraker.tv
(971) 267-7661
From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of Karl Knowles
Sent: Wednesday, December 28, 2022 10:16 AM
To: Avid-L2@groups.io
Subject: [Avid-L2] Dell Precision 3660 Tower PCIe slot use
Is anyone using a Dell Precision 3660 Tower along with an Avid DNX-IQ (or the BMD equivalent) with MC 2022.x?
I'm putting together such a system at the moment and am curious if anyone has installed the BMD PCIe cable kit in slot #1 of the 3660T instead of slot #3 as Avid recommends. And, if so, whether you had any performance issues.
Slot #3, which is PCIe Gen 4, seems like overkill as the BMD PCIe I/O card is a PCIe Gen 3 device. Slot #1 would appear to be better match as it is a PCIe Gen 3 slot.
Putting the BMD in slot #1 would allow me to leave slot #3 open for the Dell Thunderbolt 4 PCIe card, when and if it becomes available, for external storage.
Avid recommends slot #1 be used for Nexis shared storage with up to 40Gb support so I doubt there would be a data bandwidth issue with that slot/bus and the BMD card, but I'm certainly no expert.
I realize Avid would never have the time to test all possible configurations and I've got some spare time so I suppose I'll give it a try and see what results I get.
Feel free to chime in if you've gone down this path.
[Avid-L2] Dell Precision 3660 Tower PCIe slot use
I'm putting together such a system at the moment and am curious if anyone has installed the BMD PCIe cable kit in slot #1 of the 3660T instead of slot #3 as Avid recommends. And, if so, whether you had any performance issues.
Slot #3, which is PCIe Gen 4, seems like overkill as the BMD PCIe I/O card is a PCIe Gen 3 device. Slot #1 would appear to be better match as it is a PCIe Gen 3 slot.
Putting the BMD in slot #1 would allow me to leave slot #3 open for the Dell Thunderbolt 4 PCIe card, when and if it becomes available, for external storage.
Avid recommends slot #1 be used for Nexis shared storage with up to 40Gb support so I doubt there would be a data bandwidth issue with that slot/bus and the BMD card, but I'm certainly no expert.
I realize Avid would never have the time to test all possible configurations and I've got some spare time so I suppose I'll give it a try and see what results I get.
Feel free to chime in if you've gone down this path.
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135976) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Saturday, December 24, 2022
[Christmas sales] Limited Time Offer – LV Bags Start at $149. Hurry Up!
| ||||||||||
Friday, December 16, 2022
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Portable is the descriptor HP uses for their laptop workstation line that's stuck with me.
Although for years through the XW and Z8## series of HP desktop workstations those did go on the road too. They fit quite nicely in road cases built for Sony BVW/DVW units. Moveable yes. Portable... probably a stretch. ;-)
Cheers
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Portable is the descriptor HP uses for their laptop workstation line that's stuck with me.
Although for years through the XW and Z8## series of HP desktop workstations those did go on the road too. They fit quite nicely in road cases built for Sony BVW/DVW units. Moveable yes. Portable... probably a stretch. ;-)
Cheers
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135974) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Thursday, December 15, 2022
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135973) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Thanks for your thoughts, they confirm my suppositions. The portable workstation model is most certainly fitting my current editing needs at a price point that allows me at least 2 portables to the price of a single tower.
Cheers
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135972) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
I did briefly look at the AMD Threadripper option, but not in detail. Time to dig a little deeper.
I am familiar with the HP Remarketing site. I wish it was more user friendly for searching. I never signed up for an email list, perhaps that's a better option.
Dell's version, their Business Outlet, has been my go-to over the past year. The inventory is feature/model searchable and Dell has been VERY aggressive with their pricing. Each of the four "refurbished" portable workstations I've purchased have arrived in brand new condition. And (hopefully not to sound like a fanboy) Dell offers a ProSupport Plus plan (available 1 to 5 years) that includes next day service and accident damage coverage for about $125/yr.
I use the portable workstations on the road a lot (roughly 40 events a year) so that coverage is worth it.
Cheers!
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135971) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Wednesday, December 14, 2022
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Caveat, I am not up-to-date on Avid specific compatibilities so I am speaking generally.My questions are:Have CPU's reached a performance point where a single is sufficient and a dual setup doesn't justify the cost in non-effects heavy post?Yes. Cores not CPUs. Multiple CPUs were made obsolete by high core counts. Cores are more efficient so a single multi-core is faster than dual CPUs with the same total cores. CPU codec acceleration, specifically h264 and 265 acceleration are also key. Almost all modern CPUs have this, and h264 is the most common camera codec. Mac M1s also have ProRes acceleration. I do not know the specifics of Media Composer's use of these accelerations, but they are critical to Premiere and Final Cut and have changed the power equation dramatically.
Are towers even necessary any more for routine file-based editing?No, not really. There are two major reasons for towers: cooling and customization. Towers are built to be customized. However, both of these needs are becoming less important as CPUs get much cooler and systems become fundamentally more powerful and connectable, and therefor require less modification over time.For example, I just purchased a Mac Studio. This box can't be modified, but it has more than enough horsepower to edit 4K video with aplomb, and with thunderbolt connections, add-ons are externalized. Is this the peak of performance? No. Is it more than enough for most editors? Yes.If you need peak power, you need a tower. Otherwise, you don't really. That doesn't mean a tower is a bad idea. Towers can be more cost effective and are upgradable, so you can spend less now and upgrade later if needed. If you have the space and sound is not an issue, a tower may still be the way to go.Cheers,Tod
Cheers,
Karl Knowles
Tallahassee, FL
Groups.io Links:
You receive all messages sent to this group.
View/Reply Online (#135970) | Reply To Group | Reply To Sender | Mute This Topic | New Topic
Your Subscription | Contact Group Owner | Unsubscribe [administrator242.death@blogger.com]
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Greg Huson
GK Huson, LLC
Secret Headquarters, Inc
San Pedro, CA
On Dec 14, 2022, at 6:50 AM, Karl Knowles via groups.io <tech=knowlesvideo.com@groups.io> wrote:
I've been shopping for a replacement Dell/HP tower workstation for a while now. I've read the Avid specifications and recommendations and have explored a number of Good, Better, Best options. CPU speed over core count is prominently stated. The balancing equation of speed and core count is a gray area. I've also noted a number of single CPU systems being certified.
I recently started using a Dell 7760 I9 11th Gen laptop for editing and find it performs surprisingly well for everyday HD file-based editing. I just ordered a Dell 7770 I9 12th Gen with even more horsepower and will compare that to the 7760.
My gut tells me I would like a tower workstation for the main edit suite, that's what I've used since Adrenaline. Yet, when I build a custom Dell or HP tower I feel as though I'm piecing together dated tech. Surprisingly not a single major OEM is offering native Thunderbolt support in their towers, and their optional TB boards are behind the curve. Nor will they divulge if/when they will offer native onboard TB support. The tower CPU options also seem to be lagging behind those found in their laptops.
My questions are:
Have CPU's reached a performance point where a single is sufficient and a dual setup doesn't justify the cost in non-effects heavy post?
Are towers even necessary any more for routine file-based editing?
Cheers,
Karl Knowles
Tallahassee, FL
Re: [Avid-L2] CPU cores, speed, number of... diminishing returns?
Have CPU's reached a performance point where a single is sufficient and a dual setup doesn't justify the cost in non-effects heavy post?
Are towers even necessary any more for routine file-based editing?
Cheers,
Karl Knowles
Tallahassee, FL



