Another post.
http://tinyurl.com/682t2ku
- Oliver
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
Another post.
http://tinyurl.com/682t2ku
- Oliver
Is there a Premiere-L ?
The Blog Post:
"What does the guy who led the original Final Cut Pro revolution think of the Final Cut Pro X release?"
by Josh Mellicker
http://tinyurl.com/3asxcqz
Benjamin Hershleder
http://ContactBen.com
http://Hershleder.com
Wear It In Post!
Fun T-shirts, mousepads, mugs & more
for Post Production Professionals
http://www.WearItInPost.com
On Jun 26, 2011, at 7:42 AM, gary@videoguys.com wrote:
>
>
> > C'mon Avid!
> > Extend that $995 offer so you don't lose this burgeoning market to Adobe.
> > You've been handed a gift. Take it!
>
> While Avid has not yet officially extended to program. We still
> have inventory on hand and it looks like we will be getting at least
> another shipment! We are alos now working with BorisFX on a bundle
> that will include their Transfer FCP utility http://www.borisfx.com/AAF/
>
> I just posted an article on our blog about Avid, and their
> commitment to professional editors and their willingness to listen to
> their customers.
>
> Avid - The Professional's Choice. Always was. It's that simple.
> http://goo.gl/5x54g
>
> Gary
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.Yahoo! Groups Links
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On Jun 26, 2011, at 10:52 AM, johnrobmoore wrote:
> Good to know. Thanks for the clarification. The look was however, "Priceless." ;-) It's not like you'd had a busy week or anything like that....
And truthfully it started as a "I have no idea" look and when it got a great response I went with it. I really just didn't know.
Philip
Philip Hodgetts
President, Intelligent Assistance
Conquering the metadata foundations of Final Cut Pro X http://bit.ly/mBDqIY
Personal Blog http://philiphodgetts.com
Cell 818 335 3916
Good to know. Thanks for the clarification. The look was however, "Priceless." ;-) It's not like you'd had a busy week or anything like that....
--- In Avid-L2@yahoogroups.com, Philip Hodgetts <philip@...> wrote:
>
> I wanted to clarify that go to Timecode is present in both Browser and Project timelines.
>
> I did not receive email, twitter, phone call or any contact from Apple. I simply went to the app's manual and looked.
>
> Sorry for the misleading quizzical look on Friday night.
>
>
>
>
> Philip Hodgetts
> President, Intelligent Assistance
> Conquering the metadata foundations of Final Cut Pro X http://bit.ly/mBDqIY
>
> Personal Blog http://philiphodgetts.com
> Cell 818 335 3916
>
I wanted to clarify that go to Timecode is present in both Browser and Project timelines.
I did not receive email, twitter, phone call or any contact from Apple. I simply went to the app's manual and looked.
Sorry for the misleading quizzical look on Friday night.
Philip Hodgetts
President, Intelligent Assistance
Conquering the metadata foundations of Final Cut Pro X http://bit.ly/mBDqIY
Personal Blog http://philiphodgetts.com
Cell 818 335 3916
Thanks Bart, that makes sense. Yes, FCP has always been better with third party graphics than MC.
Best,
Shirley
-----Original Message-----
From: Bart van den Broek <bart@filmdoc.nl>
To: Avid-L2@yahoogroups.com <Avid-L2@yahoogroups.com>
Sent: Sun, Jun 26, 2011 2:28 am
Subject: [Avid-L2] Re: Why fcpx is bad for avid
I'm sorry for using the term 'finishing'.
Must be the language barrier. We don't do any grading in fcp we send our avid
projects to baselight etc. But when it gets back as uncompressed qt the easiest
way to get some graphics, titles and other stuff in is fcp before putting it on
tape or export it. I understand there are beautiful systems that can do that
even faster (at another pricepoint) but doing it in mc will really slow things
down. Time consuming import or not reliable ama mounting, bad graphical
workflow, quality problems etc.
You would need a lot of third party tools to get it right. So im not saying fcp
is the perfect tool for this but much more flexible than mc.
Bart van den Broek
<Mobiel verstuurd dus kort&bondig>
FILMDOC B.V.
Oostenburgervoorstraat 152
1018 MR Amsterdam
020-4200420
06-24206619
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
If you want to donate to Red Cross quake relief, you can do so through your cell
phone. Text redcross to 90999 to make a $10 donation. It will be on your next
cell bill.Yahoo! Groups Links
[Non-text portions of this message have been removed]
Here's an older tutorial they can access right now.
Even though it references an old product, the main concepts are still valid.
http://hershleder.com/content/final-cut-pro-to-avid-introductory-tutorial
Here's some MC Quick Start videos that are very recent:
http://tinyurl.com/5uznhwh
PLUG:
If there are folks that want customized Avid MC training in the L.A. area (or anywhere for that matter - I just did some training for USAA in San Antonio), I hope they will consider my services.
http://hershleder.com/avid_training
Unfortunately, the timing is bad as I'm heading into directing and editing a project while also teaching at American Film Institute, and then I'm off to work on a feature film... all of this will have me pretty busy through the end of the year. However, since the minimum length of a training session is 4 hours I may be able to help them in whatever free moments I have.
Cheers,
Benjamin
Benjamin Hershleder
http://ContactBen.com
http://Hershleder.com
Wear It In Post!
Fun T-shirts, mousepads, mugs & more
for Post Production Professionals
http://www.WearItInPost.com
On Jun 26, 2011, at 3:42 AM, paul.hartel wrote:
> I'd be happy to help. (Sorry for the multiple messages probably; new to group and responded first from within my email.) Anyway, when I've got time I can move around the LA area pretty easily. As a long time user of both, I think Avid's easier, simpler, so I'm surprised by the WTF?
>
> paul hartel
> avid/fcp
>
> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
> >
> > So already I've heard from a couple of experienced FCP editors who have
> > downloaded the MC Trial and are going "WTF?" - I've offered to let them come
> > spend a few hours with mein the suite to go over some of the basics...
> > There's plenty of training material and tutorials available, but sometimes
> > the easiest thing is just to go and sit with someone who knows what they are
> > doing for a while.
> >
> > I was then wondering if it's perhaps it would be a good idea to try and
> > scale this idea - get together a list of people who'd be happy to spend a
> > few hours helping a disaffected FCP editor understand how to properly
> > evaluate Media Composer...
> >
> > Thoughts?
> >
> > Dylan Reeve
> > http://dylanreeve.com/
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
[Non-text portions of this message have been removed]
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.Yahoo! Groups Links
<*> To visit your group on the web, go to:
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<*> Your email settings:
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> C'mon Avid!
> Extend that $995 offer so you don't lose this burgeoning market to Adobe.
> You've been handed a gift. Take it!
While Avid has not yet officially extended to program. We still
have inventory on hand and it looks like we will be getting at least
another shipment! We are alos now working with BorisFX on a bundle
that will include their Transfer FCP utility http://www.borisfx.com/AAF/
I just posted an article on our blog about Avid, and their
commitment to professional editors and their willingness to listen to
their customers.
Avid - The Professional's Choice. Always was. It's that simple.
http://goo.gl/5x54g
Gary
[Non-text portions of this message have been removed]
Welcome to the Avid-L2
FAQ!
AVID-L II Frequently Asked Questions (FAQ)
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Background
Avid-L was established in 1994 at Calvin College by Steven Koster.
It was created to be a forum for Avid users to meet, discuss, and share
information.
Avid-L quickly grew into the premiere on-line users group for
professional film and video editors. It was one of the earliest examples
of an Internet community, allowing hundreds of editors worldwide to
share their experiences and expertise with their peers. There was no
better place for a professional Avid editor to get such wealth of
informed professional advice.
At various times, individual subscribers volunteered services to the
group. Searchable archives were maintained by Germany's Berlin Users
Group as well as the UIUC. A tips & tricks list was posted by Andy
Birkhead of Innovative Edit. Wes Plate, a longtime contributor, not only
shared key techniques on his Web site, he also created a photo gallery
for members' portraits.
In 1997, several subscribers began a tradition of meeting in person at
the NAB trade show in Las Vegas. The first gatherings were organized by Jaime Fowler. In 1999,
Avid Technology itself began sponsoring these gatherings as an exclusive reception and seminar for Avid-L members only. In 2002, this changed to the "Avid Users Group" meeting.
By 1999, Avid-L boasted over 1600 subscribers, exhibiting a true
international scope with over 300 international members. The community
included participants from a wide variety of well-known corporate
organizations in broadcasting, technical, and content creation fields,
as well as and multiple local TV stations, colleges, and universities.
In 2000, Avid-L joined AvidProNet.com, and then, in 2002, was integrated
Into Avid.com.
In 2005 Due to problems with signal to noise ratio and abusive posters, the Avid-L2 was formed. A year later the Avid-L was discontinued by Avid.
At the middle of 2006, the L2 has around 1100 members, with plenty of "lurker only" members who simply use the web version of the list. The L2 is spam-free, by moderation and with Yahoo's tools and will remain that way. The integrated archives with both old L and L2 posts came on line recently as well at the University of Illinois. That can be found at http://archives.itg.uiuc.edu/avid/.
Cross-posting to the FCP-L is welcome, tho reply's will not flow back to either list necessarily- check your own email reply preferences. The Final Cut list is found at: http://movies.groups.yahoo.com/group/FinalCutPro-L
Welcome, and Enjoy!
Extras!
With a Yahoo account tied to your subscription to the Avid-L2, you can use the web features of the Group.
Calendar Various Avid events are in the Calender. If you have an event you'd like posted, pull down and fill out the Calendar event request and send it to any Moderator
Database - The database area contains Avid Feature requests, Help Wanted, Freelance Listings and For Sale sections. Feel free to add your listings to any of these areas. Job Postings will remain up for 1 month. Please date all postings to the database areas, being pertinent is a good way to be.
Files- The files section contains various sundry files, including the latest Avid release notes. Check back often for changes.
Photos - Pictures of your Avid setup are welcome, or pictures relating to a post you need a photo to explain. Photos will be posted after moderator approval. Who knows, your picture might grace the front page for a while.
Links- Various helpful links, including direct links to Avid CPR releases can be found here, also the link to the archives.
JDS
yeah, and then FCP went on to kick Avid's ass...that's the Deja Vu I am seeing with all this "not pro" rhetoric...
--- In Avid-L2@yahoogroups.com, "jeffsengpiehl" <jeffsengpiehl@...> wrote:
>
> Here's the thing- you never could. They aren't a video editing software company, this is NOT what they do.
>
> I somehow remember saying this years ago. Deja Vu, man!
>
> JDS
>
> --- In Avid-L2@yahoogroups.com, "Bart" <bart@> wrote:
> You can't trust apple anymore.
> > --
> >
>
I'd be happy to help. (Sorry for the multiple messages probably; new to group and responded first from within my email.) Anyway, when I've got time I can move around the LA area pretty easily. As a long time user of both, I think Avid's easier, simpler, so I'm surprised by the WTF?
paul hartel
avid/fcp
--- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
>
> So already I've heard from a couple of experienced FCP editors who have
> downloaded the MC Trial and are going "WTF?" - I've offered to let them come
> spend a few hours with mein the suite to go over some of the basics...
> There's plenty of training material and tutorials available, but sometimes
> the easiest thing is just to go and sit with someone who knows what they are
> doing for a while.
>
> I was then wondering if it's perhaps it would be a good idea to try and
> scale this idea - get together a list of people who'd be happy to spend a
> few hours helping a disaffected FCP editor understand how to properly
> evaluate Media Composer...
>
> Thoughts?
>
> Dylan Reeve
> http://dylanreeve.com/
>
>
> [Non-text portions of this message have been removed]
>
I'm sorry for using the term 'finishing'.
Must be the language barrier. We don't do any grading in fcp we send our avid projects to baselight etc. But when it gets back as uncompressed qt the easiest way to get some graphics, titles and other stuff in is fcp before putting it on tape or export it. I understand there are beautiful systems that can do that even faster (at another pricepoint) but doing it in mc will really slow things down. Time consuming import or not reliable ama mounting, bad graphical workflow, quality problems etc.
You would need a lot of third party tools to get it right. So im not saying fcp is the perfect tool for this but much more flexible than mc.
Bart van den Broek
<Mobiel verstuurd dus kort&bondig>
FILMDOC B.V.
Oostenburgervoorstraat 152
1018 MR Amsterdam
020-4200420
06-24206619
http://www.richardharringtonblog.com/files/fcpx_response.php
[Non-text portions of this message have been removed]
So we haven't yet figured this out but we did find out that the cpu's these symphonys are running on are Vista Business 64 if that means anything.
KEN
--- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@...> wrote:
>
> Symphony 5.5.2
> Sapphire 3.04
>
> Occasionally, if I've made a title tool title, at some point later in the edit, if I add a Sapphire effect (I've been using Vignette and Film Look), the alpha from the title tool ends up on the image with the Sapphire. A restart of Symphony fixes it so it seems like a RAM related issue but it is very strange. This is happening on 2 different Symphonies.
>
> KEN
>
My PPro experience is somewhat limited. It was among my recommendations for
a corporate client who is producing in-house video podcast content, and it
works well, but I find it remarkably unintuitive being experienced in After
Effects. Not sure how it stands up on bigger projects or complex
multi-editor installations, but it certainly doesn't have a reputation for
broadcast and film work, but neither did FCP for a while, and it's about to
get a big bump up in the industry.
IMHO Avid really needs to do two things to make Media Composer more
appealing in the face of that - support for Kona and Decklink cards (at
least) and an included tool for FCP project import. If they can't provide
those very soon then they need to at least announce a commitement to making
them happen and suggest a timeframe (which is more than Apple is doing with
any of it's "we'll fix it" lines).
Dylan Reeve
http://dylanreeve.com/
On Sun, Jun 26, 2011 at 3:23 PM, John Moore <bigfish@pacbell.net> wrote:
> **
>
>
> So with all the talk about FCPX not a fit for broadcast pros right now both
> Avid and Adobe seem to be the front runners to replace FCP for those that
> need to expand etc.... I've never heard glowing remarks about Premier Pro
> when it comes to long form or collaborative workflows with lots of editors
> working on the same project. I've heard that Adobe's interaction between
> the suite is impressive and the meta data holds a lot of promise. The weak
> link is Premier Pro from all I've heard. It's the conduit through which a
> lot of projects get passed around the suite but when it comes to down right
> editing long form documentary etc.... projects I've heard it becomes
> unstable and I don't know if there is any real project sharing over a san
> network available. This makes me feel like in my world of shared storage
> and project sharing that Avid seems the only choice aside from the various
> news room systems from GVG/Edius. Curious what others' experiences
> with Premier Pro and full tilt reality with some form of project sharing if
> it exists.
>
> John Moore
>
> Barking Trout Productions
>
> Studio City, CA
>
> bigfish@pacbell.net
>
> [Non-text portions of this message have been removed]
>
>
>
[Non-text portions of this message have been removed]
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.Yahoo! Groups Links
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