Isn't adding and subtracting density sort of what a color corrector does anyways? I seem to recall mention of a film densitometer that was used in the process of calibrating the film out process. I also see X-rite probes listed as densitometers. I do think you are on to something with the color corrector as it adds a tremendous amount of "Art" weight to the already dense with "Art" offline timeline. Sapphire and Boris are certainly adding to the heavy load on tape. And by Load on Tape you know what I mean... ;-)
---In avid-l2@yahoogroups.com, <mikeparsons.tv@...> wrote :
We don't usually do heavy questions here... but if you want an answer
you might need to rephrase the question.
eg "When will Avid solve the weight issue of their codecs? With Prores
LT (light) i get smaller and less heavy file sizes saving shipping costs
on masters via DHL."
For bonus responses mention the weight of the Title Tool and obligatory
mention of how the antiquated colour corrector add density.
Mike
you might need to rephrase the question.
eg "When will Avid solve the weight issue of their codecs? With Prores
LT (light) i get smaller and less heavy file sizes saving shipping costs
on masters via DHL."
For bonus responses mention the weight of the Title Tool and obligatory
mention of how the antiquated colour corrector add density.
Mike
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Posted by: bigfish@pacbell.net
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