How about Symphony's Universal Mastering? I'd go for 24P anyway. Some useful info here: http://community.avid.com/forums/p/75628/423859.aspx#423859.
--- In Avid-L2@yahoogroups.com, "Tony Quinsee-Jover" <tony@...> wrote:
>
> " Option A is the sped up PAL approach. This is the "run 24 at 25" "
>
> Or, the slowed down PAL approach. This is the "run 25 at 24" for the
> film-out.
>
> It really makes little difference either way. I've done both. SD
> monitoring is easier at 25Fps, so my preference is always 25 for when the
> client says "Can I see it on a TV?".
>
> Don't go anywhere near 23.976.
>
> Tony
>
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