Symphony does the sped up PAL approach. And you need to convert your audio first. (23.98 that is)
--- In Avid-L2@yahoogroups.com, "Luca Gazzolo" <luca_gazzolo@...> wrote:
>
> How about Symphony's Universal Mastering? I'd go for 24P anyway. Some useful info here: http://community.avid.com/forums/p/75628/423859.aspx#423859.
>
> --- In Avid-L2@yahoogroups.com, "Tony Quinsee-Jover" <tony@> wrote:
> >
> > " Option A is the sped up PAL approach. This is the "run 24 at 25" "
> >
> > Or, the slowed down PAL approach. This is the "run 25 at 24" for the
> > film-out.
> >
> > It really makes little difference either way. I've done both. SD
> > monitoring is easier at 25Fps, so my preference is always 25 for when the
> > client says "Can I see it on a TV?".
> >
> > Don't go anywhere near 23.976.
> >
> > Tony
> >
>
| Reply via web post | Reply to sender | Reply to group | Start a New Topic | Messages in this topic (8) |
No comments:
Post a Comment