Is your point that a very gifted online editor can color correct without a scope? That may well be true but the most critical eye can't detect gamut errors that will be enough to set off the scope alarms that may be used in QC. I don't like to fly without a net.
--- In Avid-L2@yahoogroups.com, "Edit B" <bouke@...> wrote:
>
> You missed the point.
> (and i hate it to have to explain it myself.)
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
> 6512 AS NIJMEGEN, the Netherlands
> +31 24 3553311
> ----- Original Message -----
> From: Terence Curren
> To: Avid-L2@yahoogroups.com
> Sent: Sunday, July 21, 2013 11:02 PM
> Subject: [Avid-L2] Re: Stuff I wish they'd fix
>
>
>
> Leaving it to the lab and the color timer to fix it.
>
> --- In Avid-L2@yahoogroups.com, "Edit B" <bouke@> wrote:
>
> "Long time ago i've heard Robby Müller talk in our local arthouse cinema.
> > He was asked about his choices for film stock. The answer was that he shot with what was he was given on the set, normally stuff the wive's producer found on cheap leftovers.
> >
> > You do the math."
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
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