Thank you for that. I was not aware of this specific workflow.
Lou
On Jan 22, 2013, at 12:14 PM, Mark Spano wrote:
> How did you bring the footage in? Because for 5D shot at 23.976p, there is
> only one way to bring it into a 29.97 project the correct way.
>
> AMA link to 5D footage
> Open bin column FIELD MOTION
> Change each clip one by one to PROGRESSIVE
> Transcode.
>
> Not setting the FIELD MOTION column to PROGRESSIVE will result in awful
> looking stuff.
> Setting the FIELD MOTION column to PROGRESSIVE will result in proper 2:3
> pulldown and life is peachy.
>
> On Tue, Jan 22, 2013 at 3:06 PM, Lou Wirth loutv@mindspring.com> wrote:
>
> > Shot with a 5D
> > On Jan 22, 2013, at 11:49 AM, Jay Mahavier wrote:
> >
> > > Can you provide some information on the model of cameras? Maybe the one
> > shooting 24fps is doing 24/30 and adding pulldown like a 2224 pattern and
> > that is somehow being converted back to 24 thinking it 2323. Or some crazy
> > thing. But more info would be good.
> > >
> > > jay
> > >
> > > On Jan 22, 2013, at 1:44 PM, Terence Curren wrote:
> > >
> > > > You definitely went the right way unless you have to deliver 24.
> > Adding frames to 24 is much smoother then taking frames out of 30.
> > > >
> > > > Now, why you are getting jittery footage is another issue. It should
> > be very smooth. When you look at the motion effect editor for one of the 24
> > frame clips in your 30 frame timeline what do you see? It should show you
> > the source is progressive and the output is film with a 2:3 pulldown added.
> > > >
> > > > If it shows that and the footage is jittery (not a very illuminating
> > description), you might try changing the output to interlace and see what
> > happens.
> > > >
> > > > --- In Avid-L2@yahoogroups.com, Lou Wirth wrote:
> > > >>
> > > >> Hi
> > > >> I have a project starting today with two cameras shooting. One cam
> > shot 24fps and one shot 29.97. I made the project 29.97 but the 24fps
> > footage is a bit jittery. Should I have gone with a 24fps project and
> > transcoded the 29.97 to the other rate? Which option would yield the best
> > quality as one of the frame rates has to change?
> > > >>
> > > >> thanks
> > > >>
> > > >> Lou
> > > >> Lou Wirth Productions
> > > >> 500Tamal Plaza, Suite 522
> > > >> Corte Madera, CA 94925
> > > >> www.louwirth.com
> > > >> 415-924-9411p
> > > >>
> > > >
> > > >
> > > >
> > > >
> > > > ------------------------------------
> > > >
> > > > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > > > Yahoo! Groups Links
> > > >
> > > >
> > > >
> > >
> > >
> >
> > Lou Wirth Productions
> > 500Tamal Plaza, Suite 522
> > Corte Madera, CA 94925
> > www.louwirth.com
> > 415-924-9411p
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
[Non-text portions of this message have been removed]
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