Job,
If there was a software only version of Symphony we would immediately upgrade
our software Composer seats to it provided the price premium made sense.
Seems like an appropriate comment to me.
I think it is a great picture editor. Composer based products really shine as
such.
C.A. Magid
RTVF
________________________________
From: Job ter Burg (L2B) <Job_L2@terburg.com>
To: Avid-L2@yahoogroups.com
Sent: Mon, May 16, 2011 2:10:06 PM
Subject: Re: [Avid-L2] Re: Hopeful news for Symphony
I don't mean to be facetious, but I really feel that Symphony is a great film
editing tool. Offline or online.
Source-based color correction is something I use all the time when doing
corrections to certain takes or shots in order to match them into a scene (when
offlining features). In this day and age, when screening cutting copies, these
need to be in pretty good condition. Quite often, journalists will see my
offline cut, with temp grades, and hear my temp mix. With production schedules
getting tighter and tighter, that is not going away.
Biggest bummer is that Symphony won't run software-only, otherwise I would
upgrade at least one of my two MC licenses to a Symphony as well.
On 16 mei 2011, at 21:03, ksirul wrote:
> Symphony is still a great finishing tool for most TV and even HD theatrical
>situations.
[Non-text portions of this message have been removed]
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