Over on the FCP-L not ONE comment on this thread...
Hmmmm. Perhaps they're more focused on what's NEXT from FCP than credits.
There was a time when this "credit war" was a big deal. Now? Academy Award? Just business as usual.
mark
--- In Avid-L2@yahoogroups.com, "oliverpetersvidy" <oliverpeters@...> wrote:
>
> > David Dodson wrote:
> > Angus and Kirk would've likely won 'Best Editing'
> > had they cut 'Social Network' on Avid, Premiere,
> > Lightworks, iMovie or index cards pinned to cork board.
>
> Quite true. Except that FCP was their tool of choice, ever since Wall converted his commercial editorial company from Avid to FCP prior to "Zodiac".
>
> I full well realize it's the people, not the tools, but there are important milestones in this business. Not necessarily all Oscars. Murch and "The English Patient" was one of them. "Slumdog Millionaire" was another (first Cinematography Oscar with a digital camera). "Oh Brother Where Art Thou" (first full DI). I just think this is another one.
>
> - Oliver
>
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