Edgar should have been better informed (and had a better system setup it seems) so its no one's fault but his own. My point: get over it and move on. His blog sounded like a spoiled child, ACE or not.
IMHO, of course! ;-)
--- In Avid-L2@yahoogroups.com, Shirley Gutierrez <guanacaa@...> wrote:
>
>
> And do you have 250 hours of footage to cut for your little museum piece?
> FCP can work fine, though I think it's basic editorial model will allows annoy me. The degree of instability this editor was experiencing sounds like evidence of some deep media/system sickness which is utterly beyond my ability to even speculate on. This sort of illness may be more common to FCP setups, since FinalCut provides you with so many options for shooting yourself in the foot, but it's probably also true that many long form projects have managed to avoid these issues. I think the bigger the project, the more chances there are to get into trouble.
> As to the design flaws he calls out, the render idiocy, the pain of sourcing from sequences, the inadequate trim tools, the contemptible copy/paste editing model, I couldn't agree more.
> Shirley
>
>
>
>
>
>
>
>
>
> -----Original Message-----
> From: switthaus <switthaus@...>
> To: Avid-L2@yahoogroups.com
> Sent: Tue, May 4, 2010 2:55 am
> Subject: [Avid-L2] Re: ACE blog
>
>
> truth be told, I am currently doing a 30 minute, pro-bono piece for a local
> museum on FCP, but, like the author pointed out (while he was having a little
> cheese with his whine), I am cutting, coloring, mixing and finishing all inside
> of FCP, and it works just fine....
>
> sw
>
> --- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@> wrote:
> >
> > "switthaus" (04-05-2010 04:07) :
> >
> > > Of course I avoid FCP on long form at all costs....!
> >
> > I know several folks doing longform 35mm film on FCP. I haven't heard them
> > complain that much.
> >
> > > If the author would have
> > > done a little research, he would not have been there either.
> >
> > I think he did his reseach (Edgar's rather tech savvy and far from
> > ignorant), but as you may remember from the ACE survey, not every editor
> > gets to pick their system of choice on every gig, and still needs to make a
> > living.
> >
> >
> > --
> > Job ter Burg
> > film editor - NL
> >
>
>
>
>
> ------------------------------------
>
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> [Non-text portions of this message have been removed]
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