the Final Cut Studio suite). It looked good as far as I could see.
By the way. HD is Never PAL. So something like HD/PAL does not exist. You
mean HD 50i, 50p, or 25p. This is because PAL (and NTSC) refers to more than
framerate; resolution amongst others.
Best regards,
Martin Thorbjörnsson*
+46 73 789 73 42
kontakta.martin@gmail.com
*
On Tue, Mar 30, 2010 at 17:05, Lou Wirth <loutv@mindspring.com> wrote:
>
>
> I worked on a lengthy project last year in SD/NTSC. The second half
> of the project was shot this year in Europe, HD/PAL.
> First Seq I cut as SD/NTSC seq and the second part I cut as 1080/50i
> Seq.
> Client wants to marry the two sequences together for final piece.
>
> What is the best way to do this and retain as much quality as
> possible. I brought the 1080/50 sequence in the SD projects and used
> the MODIFY option to change the format to 30NTSC but it does look a
> bit soft. In some places, looks terrible.
>
> Is there another option for me to bring these two sequences together?
>
> thanks
> Lou
> Lou Wirth Productions
> 500Tamal Plaza, Suite 522
> Corte Madera, CA 94925
> www.louwirth.com
> 415-924-9411p
>
>
>
[Non-text portions of this message have been removed]
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