Off-lease tape libraries are cheap and most take any format (LTO2/3/4) half-height drive....
John McClary
--- On Tue, 2/9/10, Peter Jay Gould <petegould@intervalegroup.com> wrote:
From: Peter Jay Gould <petegould@intervalegroup.com>
Subject: RE: [Avid-L2] Re: Reality TV Formats
To: Avid-L2@yahoogroups.com
Date: Tuesday, February 9, 2010, 5:04 PM
Oliver Peters wrote:
>> The reality is that only Sony is bringing out new tape decks
>> and they aren't in super shape as a company these days. Most
>> owners I know don't want to buy any new decks and can
>> barely afford to properly maintain the decks they own. This
>> includes broadcasters.
>>
>> XDCAM is nice but many view it as an interim technology.
>> There isn't any great rush to buy XDCAM transports that I can
>> see. It's obvious that even Sony is moving away from the
>> optical flavor of this format. File-based post is still evolving
>> and it's not really there yet, but it is the future whether we like
>> it or not.
I agree with everything you've said, but that still begs the question: if
I'm launching a show today, based upon the technology available today,
what's my best choice, and what's the resulting workflow?
Continuing to think in terms of COPS: they do regular shows and then later
they do specials that string together previous footage in new arrangements
(COPS: pursuits, COPS: domestics, COPS: Mardi Gras etc.). We'll have the
same thing, so all acquired footage has to be available for later use.
That's why I'm trying to figure out how to do file based workflow and where
the footage lives once it's off the solid state acquisition media.
(To all: thanks for a fascinating discussion on this topic, which has been
bothering me for quite awhile now).
Pete
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