one a bit. But to give you more info
Audio - Deva BWF base 30TC for the source.
Video - Clips logged with Start and End at :00 when ever possible.
There are a handful of shots that don't fit this due to short pre-roll
and post-roll. But very few. Really very few.
So what you are saying is:
1-dump all the media, vid and aud, but keep all the bins with master
clips
2-convert project to 1080/23.976
3-select the original audio master clips (offline) and batch import them
4-export the bins with the original video master clips to an ALE and
remove all the durations. And reimport and batch digitize those.
5-reAutoSync all my clips
6-sequences should relink to new media based on tape and tc
Does that sound about right?
Thanks,
Jay
On Jan 4, 2010, at 5:18 PM, phillipsm wrote:
> I wish it were that easy! The metadata and everything around it is
> based on a 30fps base and is part of the clip internal metadata
> (MOB, etc.). Just switching the project over to HD will not work for
> 23.976/24 - only for formats that are of the same timecode/edit rate
> like 25 and 30.
>
> The START and END need to be within the :00 - :23 frame range. While
> your :00 workflow works for the START, it may not be true for the
> END. Also durations would need to adjusted because of the 2:3
> pulldown relationship.
>
> You would need to export an ALE, adjust END to not be higher than :
> 23. Don't include "duration" as part of the ALE, that will be
> recalculated from the import. Go back to the original V only master
> clips.
>
> Sound TC from your BWF would need to be considered as well. What was
> the original timecode rate used in production? If you import those
> into a 23.976/24 project, the timecode will be recalculated to a 24
> frame source, but the original 30fps will be lost. If 30fps is the
> original rate, you are better positioned and halfway there. Keep
> your original BWF bins and import, make sure you duplicate START
> into SoundTC. The SoundTC continues to count as 30 even in a
> 23.976/24HD project, but this is how you will maintain the original
> TC and lists for later. Using The 30fps timecode in the START from a
> "project tab change" continues to count as 30, but with no
> consideration for pulldown - so EDL's will be off if START is used.
>
> Rebatch capture from the ALE, resync new subclips and your sources
> are fine... Sequences would need to be modified via the "modify
> command" then a relink done. Now... I have never tried the relink at
> the end to clips that are both tape based (picture) and import (BWF)
> so you may be entering new territory there... I remember this being
> done on "Gone Baby Gone" and it was painful.
>
> Michael
>
>
> --- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" <domqsilverio@...>
> wrote:
>>
>> Since they are the same frame rate,
>>
>>
>> Just change the project format to 1080p/23.976 and batch digitize
>> away. The workflow is very similar to NTSC 30i to 1080i/59.94.
>>
>> Everything else will fall in to place.
>>
>>
>> Dom Q. Silverio
>>
>>
>>
>> On Mon, Jan 4, 2010 at 4:02 PM, Jay Mahavier <jay_mahavier@...>
>> wrote:
>>> Ok, I'm told that we have our DX upgrades on order. Once I get them
>>> in I'm going to want to move our current project from MXF 3:1 to
>>> DNxHD36. Now the project is NTSC/23.976/FilmMatchback. All shots
>>> were logged from DVCam downconverts of SR/23.976 camera tapes.
>>> Almost
>>> all or our clips were logged starting at the even second (xx:xx:xx:
>>> 00). All the clips are AutoSync to audio from the RAM disk from the
>>> DEVA. We already have sequences cut of a bunch of the material.
>>>
>>> Is batch digitizing those clips logged as SD into HD as easy as
>>> select
>>> and batch digitize? Or do I need to modify the master clips to be
>>> HD
>>> then batch digitize? Or do I need to export a ALE file and reimport
>>> it? Am I going to need to resync all my footage? Will the cut
>>> sequences relink and update?
>>>
>>> We will be moving from MC v3 to MC v4.
>>>
>>> If someone had suggestions or can point me to a link or a page in a
>>> manual I would really appreciate it.
>>>
>>> Thanks,
>>> Jay
>>>
>>>
>>> ------------------------------------
>>>
>>> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>>
>>> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
>>> Get your copy todayYahoo! Groups Links
>>>
>>>
>>>
>>>
>>
>
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
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