The START and END need to be within the :00 - :23 frame range. While your :00 workflow works for the START, it may not be true for the END. Also durations would need to adjusted because of the 2:3 pulldown relationship.
You would need to export an ALE, adjust END to not be higher than :23. Don't include "duration" as part of the ALE, that will be recalculated from the import. Go back to the original V only master clips.
Sound TC from your BWF would need to be considered as well. What was the original timecode rate used in production? If you import those into a 23.976/24 project, the timecode will be recalculated to a 24 frame source, but the original 30fps will be lost. If 30fps is the original rate, you are better positioned and halfway there. Keep your original BWF bins and import, make sure you duplicate START into SoundTC. The SoundTC continues to count as 30 even in a 23.976/24HD project, but this is how you will maintain the original TC and lists for later. Using The 30fps timecode in the START from a "project tab change" continues to count as 30, but with no consideration for pulldown - so EDL's will be off if START is used.
Rebatch capture from the ALE, resync new subclips and your sources are fine... Sequences would need to be modified via the "modify command" then a relink done. Now... I have never tried the relink at the end to clips that are both tape based (picture) and import (BWF) so you may be entering new territory there... I remember this being done on "Gone Baby Gone" and it was painful.
Michael
--- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" <domqsilverio@...> wrote:
>
> Since they are the same frame rate,
>
>
> Just change the project format to 1080p/23.976 and batch digitize
> away. The workflow is very similar to NTSC 30i to 1080i/59.94.
>
> Everything else will fall in to place.
>
>
> Dom Q. Silverio
>
>
>
> On Mon, Jan 4, 2010 at 4:02 PM, Jay Mahavier <jay_mahavier@...> wrote:
> > Ok, I'm told that we have our DX upgrades on order. Once I get them
> > in I'm going to want to move our current project from MXF 3:1 to
> > DNxHD36. Now the project is NTSC/23.976/FilmMatchback. All shots
> > were logged from DVCam downconverts of SR/23.976 camera tapes. Almost
> > all or our clips were logged starting at the even second (xx:xx:xx:
> > 00). All the clips are AutoSync to audio from the RAM disk from the
> > DEVA. We already have sequences cut of a bunch of the material.
> >
> > Is batch digitizing those clips logged as SD into HD as easy as select
> > and batch digitize? Or do I need to modify the master clips to be HD
> > then batch digitize? Or do I need to export a ALE file and reimport
> > it? Am I going to need to resync all my footage? Will the cut
> > sequences relink and update?
> >
> > We will be moving from MC v3 to MC v4.
> >
> > If someone had suggestions or can point me to a link or a page in a
> > manual I would really appreciate it.
> >
> > Thanks,
> > Jay
> >
> >
> > ------------------------------------
> >
> > Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
> >
> > Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo Get your copy todayYahoo! Groups Links
> >
> >
> >
> >
>
------------------------------------
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