Re: [Avid-L2] When do we get bigger-than-HD in MC?

I found it extremely painful to switch use Symphony after DS, despite bing
an MC for years before DS. The tools lost for finishing are all but
insurmountable.


On Wed, Dec 5, 2012 at 11:06 AM, Steve Hullfish <steve4lists@veralith.com>wrote:

> **
>
>
> I thought that the DS color correction was very similar to Symphony. It
> looks different, but it seemed to break down to similar functions in
> similar organization... But that's from being a backseat driver of a DS,
> not the guy with the wheel in his hands.
>
> But I do remember saying to the DS guy that he should be able to move over
> to Symphony easy enough.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
> author: "The Art and Technique of Digital Color Correction"
>
> On Dec 5, 2012, at 12:48 PM, johnrobmoore <bigfish@pacbell.net> wrote:
>
> > So what you are saying is DS really supports all these somewhat higher
> end workflows with DPX and resolution independence, I believe that's
> correct but I'm no DS expert. Would it be safe to say that if I were
> willing to get out of my symphony comfort zone and buckle down on the DS I
> could have access to a platform that would cope well in this arena? How
> much of a shock would the color correction in DS be for a staunch Symphony
> colorist? I know it's powerful but does it have any support for the
> relational color correction of the symphony workflow?
>
> [Non-text portions of this message have been removed]
>
>
>


[Non-text portions of this message have been removed]



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