This is interesting are you saying I can take my Avid sequence and export to XDCAM OP1a and while it's cranking on that I can open the file in Adobe Media Encoder and start it baking the converted file adding pulldown and making a new XDCAM OP1a at 29.97I? What happens if AME cranks faster than Avid is putting out the mxf file?
---In avid-l2@yahoogroups.com, <bouke@...> wrote :
Besides, you can start transcoding while Avid is still working on the MXF. Huge timesaver.
(The header with all essential info is written in the beginning.)
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN, the Netherlands
+31 24 3553311
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN, the Netherlands
+31 24 3553311
----- Original Message -----Sent: Tuesday, November 10, 2015 10:37 AMSubject: Re: [Avid-L2] Adobe Media Encoder is misreading video levels?Why not mixdown your sequence, open the mixed down sequence in a 60i project and export XDCAM Op1A MXF from there? Much easier.I have never found any color level controls in AME, so I gave up on that.To the best of my knowledge, an Op1A MXF XDCAM file has 8 tracks, whether or not they are in use. So why be bothered by the 8 tracks?JOn 10 nov. 2015, at 05:15, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:If I didn't have to do the frame rate conversion I would export direct from Avid but then I can only have 8 tracks of audio.
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Posted by: bigfish@pacbell.net
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this is the Avid-L2
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