After all these Fing hoops I find that when I bake out the XDCAM 50 in AME to add pulldown to the already XDCAM 50 23.976 exported from Avid it creates small specular spikes that trigger the scope alarms. Ama linking back to the original Avid Export 23.976 XDCAM file and no alarms. Ama link to the AME backed out XDCAM 50 with pulldown and a ton of alamrs of lower luma levels. WTF???
But here is the deal breaker. As AME was encoding I noticed it would pause for several seconds and then pick back up. When it picked back up I noticed Red frame flashes, but not after every stall. Well those Red frames are backed into the resulting files. DOUBLE WTF WTF!!!!!
Not only is AME putting Red frames in the file I'm seeing Red now. So as suggested I will now do a video mixdown and export directly from Avid. Sitting here watch my Higher Power Progress bar is not helping my Love and Tolerance one bit. I thought finally using AME would solve many of my file based problems but NOOOOOOO. Well I am over 50 so I guess I was due for the Fileoscopy. ;-)
---In avid-l2@yahoogroups.com, <bigfish@...> wrote :
---In avid-l2@yahoogroups.com, <bouke@...> wrote :
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN, the Netherlands
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----- Original Message -----Sent: Tuesday, November 10, 2015 10:37 AMSubject: Re: [Avid-L2] Adobe Media Encoder is misreading video levels?Why not mixdown your sequence, open the mixed down sequence in a 60i project and export XDCAM Op1A MXF from there? Much easier.I have never found any color level controls in AME, so I gave up on that.To the best of my knowledge, an Op1A MXF XDCAM file has 8 tracks, whether or not they are in use. So why be bothered by the 8 tracks?JOn 10 nov. 2015, at 05:15, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:If I didn't have to do the frame rate conversion I would export direct from Avid but then I can only have 8 tracks of audio.
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